Icons and metaphors in visual communication: The relevance of Peirce’s theory of iconicity for the analysis of visual communication

Martin Thellefsen, Alon Friedman
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引用次数: 0

Abstract

In this paper we adopt Charles Sanders Peirce’s concept of iconicity to analyse pictural communication. While visual semiotics has a well-developed structural school, the concepts of visual semiotics stemming from Peirce’s pragmatic sign theory are often overlooked. The specific purpose of this study is to explore the semiotics of visual signs, exemplified by two prominent pictures of former US President Donald Trump. We argue that Peirce’s semiotic framework for iconicity in visual signs (the image, the diagram, and the metaphor) offers a useful framework for discussing how the meaning of visual signs is motivated. On this basis, we propose that Peirce’s concept of hypoicons provides us with a richer understanding of how visual signs acquire meaning and how their interpretation varies across cultural habits, and collateral experience.
视觉传达中的符号与隐喻:皮尔斯的象似性理论与视觉传达分析的关联
本文采用查尔斯·桑德斯·皮尔斯的象似性概念来分析图像交际。虽然视觉符号学已经形成了一个发达的结构学派,但源自皮尔斯语用符号理论的视觉符号学概念却经常被忽视。本研究的具体目的是探讨视觉符号的符号学,以美国前总统唐纳德·特朗普的两张著名照片为例。我们认为,皮尔斯关于视觉符号(图像、图表和隐喻)象似性的符号学框架为讨论视觉符号的意义是如何被激发的提供了一个有用的框架。在此基础上,我们提出皮尔斯的伪象概念为我们提供了更丰富的理解视觉符号如何获得意义以及它们的解释如何在文化习惯和附带经验中发生变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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