Waterways as Landmarks, Challenges, and Barriers for Medieval Protagonists

A. Classen
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引用次数: 1

Abstract

In light of recent ecocritical approaches to literary analysis, this paper endeavors to analyze how creeks, rivers, and other waterways function in a variety of medieval and early modern texts. As the discussion of Wolfram von Eschenbach’s Parzival and Titurel, of the Nibelungenlied, Njál’s Saga, Dante’s Inferno, and Marguerite de Navarre’s Heptaméron indicates, the inclusion of creeks or rivers within the narrative context indicates that major events are to occur in the protagonist’s life. Life and death are determined by the experiences at, on, or even in the river. Even if the poets do not necessarily discuss the waterways as such in their geophysical properties and dimensions, the consistent reference to and inclusion of rivers in those literary works illustrates the true extent to which pre-modern poets were already fully aware of the epistemological function which waterways could carry in human life.
水道作为中世纪主角的地标、挑战和障碍
根据最近生态批评文学分析的方法,本文试图分析小溪,河流和其他水道在各种中世纪和早期现代文本中的作用。从Wolfram von Eschenbach的《Parzival》和《Titurel》、《Nibelungenlied》、Njál的《Saga》、但丁的《Inferno》和Marguerite de Navarre的《heptamron》的讨论中可以看出,在叙事语境中包含小溪或河流表明了主要事件将在主人公的生活中发生。生与死是由在河上、河上、甚至河中的经历决定的。即使诗人没有必要讨论水路的地球物理属性和维度,这些文学作品中对河流的一贯提及和包含说明了前现代诗人已经充分意识到水路在人类生活中所具有的认识论功能的真实程度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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