{"title":"Visitor Voices Between the Discursive and the Immersive","authors":"Helen Charman","doi":"10.54533/stedstud.vol004.art03","DOIUrl":null,"url":null,"abstract":"In December 2015, the Stedelijk Museum and the Louisiana Museum of Art convened a conference entitled “Between the Discursive and the Immersive – Research in 21st Century Art Museums.” Taking the Design Museum, London, as a case study, my Pecha Kucha explored how the museum’s public programs might be understood to create a discursive mode of visitor engagement, constituted through the interplay of visitor and institutional voices. This discursive mode can be encapsulated by the notion of a museum doing its thinking in public. Thinking in public provides a propositional space for critical engagement and reflexivity, and positions the museum as a forum for public engagement with design and its wider contexts. However, as suggested by the conference title and by a variety of other papers given over the two days, the museum also invites visitors to engage immersively with content, in particular through the curatorial strategies in the exhibition environment.","PeriodicalId":143043,"journal":{"name":"Stedelijk Studies Journal","volume":"73 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Stedelijk Studies Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54533/stedstud.vol004.art03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In December 2015, the Stedelijk Museum and the Louisiana Museum of Art convened a conference entitled “Between the Discursive and the Immersive – Research in 21st Century Art Museums.” Taking the Design Museum, London, as a case study, my Pecha Kucha explored how the museum’s public programs might be understood to create a discursive mode of visitor engagement, constituted through the interplay of visitor and institutional voices. This discursive mode can be encapsulated by the notion of a museum doing its thinking in public. Thinking in public provides a propositional space for critical engagement and reflexivity, and positions the museum as a forum for public engagement with design and its wider contexts. However, as suggested by the conference title and by a variety of other papers given over the two days, the museum also invites visitors to engage immersively with content, in particular through the curatorial strategies in the exhibition environment.