The Existence of Batik in the Digital Era

I. Salma, Edi Eskak
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引用次数: 1

Abstract

: Batik is a real example of Indonesian artwork whose existence is still superior in today's world of art talks. The existence of batik has even been recognized by UNESCO on 2009 as one of the world's cultural intangible heritages. Batik is understood as a whole process of creation, the work produced, and the philosophy. The batik consensus, in the manufacturing process, was challenged by manual and machine printing, and now in digital printing. The purpose of this paper is to examine the existence of original batik processed with traditional technology that can still be sustainable and develop in this digital era. The method used is descriptive qualitative to show the existence of batik in the digital era. The result is traditional batik in this digital era is still exists. Counterfeiting batik products can be anticipated by labeling Batikmark "INDONESIA batik". Digital technology can be used to support the research and other aspects related to batik. The role of art, government, university, private sector, artists, and individual batik lovers also play an important assignment in the preservation and development of traditional batik until this millennium.
蜡染在数字时代的存在
蜡染是印尼艺术的一个真正的例子,它的存在在今天的世界艺术谈话中仍然是优越的。蜡染甚至在2009年被联合国教科文组织认定为世界非物质文化遗产之一。蜡染被理解为一个完整的创作过程,作品和哲学。蜡染的共识,在制造过程中,受到了手工和机器印刷的挑战,现在是数字印刷。本文旨在探讨传统蜡染工艺在数字时代是否还能持续发展。采用描述性定性的方法来显示蜡染在数字时代的存在。结果是传统蜡染在这个数字时代依然存在。假冒蜡染产品可以通过标记“印尼蜡染”来预测。数字技术可以用来支持蜡染相关的研究和其他方面。艺术、政府、大学、私营部门、艺术家和个人蜡染爱好者的作用也在保存和发展传统蜡染的过程中发挥了重要作用,直到这个千年。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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