Why Menelaus?

Anna R. Stelow
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Abstract

This chapter assesses the depiction of Menelaus in non-Homeric archaic poetry. What emerges most clearly about Menelaus, from the bits and pieces remaining from non-Homeric archaic poetry, is relationships: chiefly with Agamemnon and Helen; but also with Nestor and his sons, Antenor, and with kinsmen and hosts on Crete. The Cyclic fragments, scant as they are, disclose something of Menelaus’ stature independent of Agamemnon. The Cypria particularly shows Menelaus in the events leading up to the Trojan War largely acting on his own, or the gods’, initiative. Meanwhile, the Hesiodic Catalogue of Women emphasizes Menelaus’ success by virtue of his wealth at the great world-historical moment, not the Trojan War per se but earlier, in the wooing of Helen. In what remains of Menelaus in archaic lyric, the relationships with Agamemnon and Helen are also prominent. In Alcman, he is celebrated, with Helen and the Dioscuri, as the recipient of choral song at a place called Therapne. In Stesichorus, Menelaus is sidelined while Helen turns prophet. In the extant fragments of Sappho, Menelaus is mentioned along with his brother and wife.
为什么斯巴达王?
本章评估非荷马古诗中墨涅劳斯的描述。关于墨涅劳斯,从非荷马史诗遗留下来的零碎文字中,最明显的是他的关系:主要是与阿伽门农和海伦的关系;又与尼斯托和他儿子亚陀拿,并在克里特的弟兄和众弟兄同住。环状碎片虽然很少,但却揭示了墨涅劳斯独立于阿伽门农之外的地位。在《塞浦路斯》中,墨涅劳斯在导致特洛伊战争的事件中主要是按照他自己或众神的意愿行事。同时,《赫西俄斯女性目录》强调了墨涅劳斯在世界历史的重大时刻,不是特洛伊战争本身,而是更早,在追求海伦的过程中,凭借他的财富而取得的成功。在墨涅劳斯遗留下来的古代抒情诗中,他与阿伽门农和海伦的关系也很突出。在阿尔曼,他与海伦和迪奥斯库里一起,作为合唱歌曲的接受者,在一个叫做Therapne的地方被庆祝。在《史忒西科罗斯》中,当海伦成为先知时,墨涅劳斯被边缘化了。在现存的萨福残篇中,墨涅劳斯和他的兄弟、妻子一起被提到。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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