Exploration and Summary of Establishing the Characteristic Course of Olunchun Original Ecological Music

Sun Xiaofei, Xu Zuping
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The construction of Olunchun original ecological music course is an important reflection of the characteristic education of music specialty in many local normal universities. 1. The Development Value of Olunchun Original Ecological Music Characteristic Course Local folk music culture curriculum is designed and developed by local colleges and universities according to the actual situation of local cultural resources to adapt to the development of students and promote the development of local society. By presenting the history and development status of music culture in the region, learning the rich folk arts and Humanities knowledge, the course will help students better serve the local economic construction and cultural and educational undertakings in the future. 1.1. Olunchun original ecological music is an important development of music teaching Normal colleges and universities are the main training bases for teachers in primary and secondary schools in China. The curriculum construction of music major in normal universities is mainly centered on the requirements of basic art education. China's long-standing, extensive and profound folk music is the local art created and spread by the working people in history to meet their social and spiritual needs. It contains rich social, historical and cultural connotations, reflects the unique life interest and aesthetic concept of the working people, is the foundation of Chinese national art and culture, and is an important resource of Contemporary Art education. In the current curriculum reform of basic education in China, actively developing and rationally utilizing all kinds of curriculum resources inside and outside schools has become an important measure to implement 2019 International Conference on Arts, Management, Education and Innovation (ICAMEI 2019) Published by CSP © 2019 the Authors 817 the new music curriculum in primary and secondary schools. The Ministry of Education's \"Primary School Music Curriculum Standards\" points out that \"in addition to the national curriculum, local and school should develop music curriculum resources with regional, ethnic and school characteristics in the light of local human geographical environment and national cultural traditions\" and \"be good at using the local folk music resources in music teaching so that students can be nurtured by the national music culture from an early age\". According to the strategy of threelevel management of national, local and school-based curriculum, many primary and secondary schools have closely linked the local ethnic cultural resources with the content of textbook teaching, which has become an important expansion of music classroom teaching. Primary and secondary school students have been influenced by local folk culture in their growth process. Introducing local folk culture learning content into the classroom can be most loved and accepted by children living in this region's ecological environment. The rich and colorful local folk art makes the classroom teaching more active and exciting, greatly improves the students'aesthetic interest, broadens the classroom teaching content, enriches the knowledge connotation of the curriculum, and enhances the students' love for their homeland. The introduction of Olunchun original ecological music has not only achieved remarkable results in classroom teaching, but also aroused social awareness of the protection of national culture, making primary and secondary schools an important position for the protection, inheritance and development of Olunchun original ecological music culture. The expansion of local folk art in music curriculum of basic education also puts forward new requirements for the training of music education talents in normal universities. 1.2. Olunchun original ecological music is a valuable curriculum resource With the increasing frequency of international exchanges, the collision of various cultures in the world becomes more intense. We should pay more attention to the ecological protection of national cultures in the process of accepting and absorbing multicultures from different countries. Music majors in normal universities in China have been following the professional system centered on European music theory and supplemented by some national music courses for many years. Considering the applicability for the whole country, the current textbooks of national folk music in normal universities generally only introduce several representative ethnic groups. Our country has a vast territory and many nationalities, and the ecological environment varies greatly from place to place. Traditional folk arts are varied. The rich folk music resources possessed by all parts of the country contain tremendous artistic value and are the basis and source of the music culture of the whole Chinese nation. Folk music culture is closely related to local social life and humanistic environment. It is a great waste for music teaching in teachers'colleges to make full use of these precious cultural resources. Combining the representative of Chinese national music culture with the local characteristic music culture is the need of constructing the complete knowledge structure of national music for music students in local normal universities. Therefore, Music Majors in local normal universities use local cultural resources to set up distinctive local folk music courses so that students can understand local folk art and local cultural environment at the University stage. When they go to educational posts, they can also connect their classroom teaching with local cultural life, and cultivate students'love for the motherland and their hometown. On the stage of music education, they can carry out colorful and lively music teaching and interpretation. 1.3. To study local folk music and promote the development of the inheritance Local colleges and universities are established in a certain region, and undertake the task of training qualified personnel for local economic construction and social development. 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引用次数: 0

Abstract

The characteristic curriculum is a school-based curriculum which can best embody its unique, stable and high-quality personality in the aspects of teaching ideas, curriculum setting, teaching methods and teaching effects. In local colleges and universities, the characteristic curriculum will have a significant impact on the school running ideology, the emergence of innovative teaching strengths and the shaping of the school image. The training goal of music specialty in local normal universities is to train music talents with modern educational thought, innovative spirit and certain personal professional characteristics. The construction of Olunchun original ecological music course is an important reflection of the characteristic education of music specialty in many local normal universities. 1. The Development Value of Olunchun Original Ecological Music Characteristic Course Local folk music culture curriculum is designed and developed by local colleges and universities according to the actual situation of local cultural resources to adapt to the development of students and promote the development of local society. By presenting the history and development status of music culture in the region, learning the rich folk arts and Humanities knowledge, the course will help students better serve the local economic construction and cultural and educational undertakings in the future. 1.1. Olunchun original ecological music is an important development of music teaching Normal colleges and universities are the main training bases for teachers in primary and secondary schools in China. The curriculum construction of music major in normal universities is mainly centered on the requirements of basic art education. China's long-standing, extensive and profound folk music is the local art created and spread by the working people in history to meet their social and spiritual needs. It contains rich social, historical and cultural connotations, reflects the unique life interest and aesthetic concept of the working people, is the foundation of Chinese national art and culture, and is an important resource of Contemporary Art education. In the current curriculum reform of basic education in China, actively developing and rationally utilizing all kinds of curriculum resources inside and outside schools has become an important measure to implement 2019 International Conference on Arts, Management, Education and Innovation (ICAMEI 2019) Published by CSP © 2019 the Authors 817 the new music curriculum in primary and secondary schools. The Ministry of Education's "Primary School Music Curriculum Standards" points out that "in addition to the national curriculum, local and school should develop music curriculum resources with regional, ethnic and school characteristics in the light of local human geographical environment and national cultural traditions" and "be good at using the local folk music resources in music teaching so that students can be nurtured by the national music culture from an early age". According to the strategy of threelevel management of national, local and school-based curriculum, many primary and secondary schools have closely linked the local ethnic cultural resources with the content of textbook teaching, which has become an important expansion of music classroom teaching. Primary and secondary school students have been influenced by local folk culture in their growth process. Introducing local folk culture learning content into the classroom can be most loved and accepted by children living in this region's ecological environment. The rich and colorful local folk art makes the classroom teaching more active and exciting, greatly improves the students'aesthetic interest, broadens the classroom teaching content, enriches the knowledge connotation of the curriculum, and enhances the students' love for their homeland. The introduction of Olunchun original ecological music has not only achieved remarkable results in classroom teaching, but also aroused social awareness of the protection of national culture, making primary and secondary schools an important position for the protection, inheritance and development of Olunchun original ecological music culture. The expansion of local folk art in music curriculum of basic education also puts forward new requirements for the training of music education talents in normal universities. 1.2. Olunchun original ecological music is a valuable curriculum resource With the increasing frequency of international exchanges, the collision of various cultures in the world becomes more intense. We should pay more attention to the ecological protection of national cultures in the process of accepting and absorbing multicultures from different countries. Music majors in normal universities in China have been following the professional system centered on European music theory and supplemented by some national music courses for many years. Considering the applicability for the whole country, the current textbooks of national folk music in normal universities generally only introduce several representative ethnic groups. Our country has a vast territory and many nationalities, and the ecological environment varies greatly from place to place. Traditional folk arts are varied. The rich folk music resources possessed by all parts of the country contain tremendous artistic value and are the basis and source of the music culture of the whole Chinese nation. Folk music culture is closely related to local social life and humanistic environment. It is a great waste for music teaching in teachers'colleges to make full use of these precious cultural resources. Combining the representative of Chinese national music culture with the local characteristic music culture is the need of constructing the complete knowledge structure of national music for music students in local normal universities. Therefore, Music Majors in local normal universities use local cultural resources to set up distinctive local folk music courses so that students can understand local folk art and local cultural environment at the University stage. When they go to educational posts, they can also connect their classroom teaching with local cultural life, and cultivate students'love for the motherland and their hometown. On the stage of music education, they can carry out colorful and lively music teaching and interpretation. 1.3. To study local folk music and promote the development of the inheritance Local colleges and universities are established in a certain region, and undertake the task of training qualified personnel for local economic construction and social development. Local colleges and universities should rely on local economy and regional culture, take the cultural history, human
建立鄂伦春原生态音乐特色课程的探索与总结
特色课程是在教学理念、课程设置、教学方法、教学效果等方面最能体现其独特、稳定、优质个性的校本课程。在地方高校中,特色课程对办学思想的转变、创新教学优势的形成和学校形象的塑造都将产生重大影响。地方师范院校音乐专业的培养目标是培养具有现代教育思想、创新精神和一定个人专业特色的音乐人才。鄂伦春原生态音乐课程的建设是许多地方师范院校音乐专业特色教育的重要体现。1. 鄂伦春原生态音乐特色课程的开发价值地方民族音乐文化课程是地方高校根据当地文化资源的实际情况,为适应学生的发展,促进当地社会的发展而设计开发的。通过介绍本地区音乐文化的历史和发展现状,学习丰富的民间艺术和人文知识,使学生今后更好地服务于当地的经济建设和文化教育事业。1.1. 鄂伦春原生态音乐是音乐教学的重要发展方向,师范院校是中国中小学教师的主要培养基地。高师音乐专业的课程建设主要围绕基础艺术教育的要求展开。中国的民间音乐源远流长、博大精深,是劳动人民在历史上为满足社会和精神需要而创造和传播的地方艺术。它蕴含着丰富的社会、历史和文化内涵,反映了劳动人民独特的生活情趣和审美观念,是中国民族艺术文化的基础,是当代艺术教育的重要资源。在当前中国基础教育课程改革中,积极开发和合理利用校内外各类课程资源,已成为落实2019年国际艺术、管理、教育与创新会议(ICAMEI 2019)的重要举措,CSP©2019 the Authors 817出版中小学音乐新课程。教育部《小学音乐课程标准》指出,“在国家课程的基础上,地方和学校应结合当地人文地理环境和民族文化传统,开发具有地域、民族、学校特色的音乐课程资源”,“善于将当地民族音乐资源运用到音乐教学中,使学生从小受到民族音乐文化的熏陶”。许多中小学按照国家、地方、校本课程三级管理的战略,将当地民族文化资源与教材教学内容紧密联系起来,成为音乐课堂教学的重要拓展。中小学生在成长过程中受到当地民俗文化的影响。将当地民俗文化的学习内容引入课堂,是生活在该地区生态环境中的孩子们最喜欢和接受的。丰富多彩的地方民间艺术使课堂教学更加活跃和精彩,大大提高了学生的审美兴趣,拓宽了课堂教学内容,丰富了课程的知识内涵,增强了学生对祖国的热爱。鄂伦春原生态音乐的引入,不仅在课堂教学中取得了显著的效果,而且唤起了社会保护民族文化的意识,使中小学成为鄂伦春原生态音乐文化保护、传承和发展的重要阵地。地方民间艺术在基础教育音乐课程中的拓展,也对高师音乐教育人才的培养提出了新的要求。1.2. 鄂伦春原生态音乐是宝贵的课程资源,随着国际交流的日益频繁,世界上各种文化的碰撞更加激烈。在接受和吸收来自不同国家的多元文化的过程中,我们应该更加注重对民族文化的生态保护。中国师范院校音乐专业多年来一直遵循以欧洲音乐理论为中心,以民族音乐课程为补充的专业体系。 目前师范院校的民族民乐教材考虑到全国的适用性,一般只介绍几个有代表性的民族。我国地域辽阔,民族众多,各地生态环境差异很大。传统民间艺术多种多样。全国各地所拥有的丰富的民族音乐资源蕴藏着巨大的艺术价值,是整个中华民族音乐文化的基础和源泉。民间音乐文化与当地社会生活和人文环境密切相关。充分利用这些宝贵的文化资源,是对高师音乐教学的极大浪费。将中国民族音乐文化的代表与地方特色音乐文化相结合,是构建地方高师音乐专业学生完整的民族音乐知识结构的需要。因此,地方师范院校的音乐专业利用当地的文化资源,开设有特色的地方民乐课程,让学生在大学阶段了解当地的民间艺术和当地的文化环境。当他们走上教育岗位时,他们还可以将课堂教学与当地的文化生活联系起来,培养学生对祖国和家乡的热爱。在音乐教育的舞台上,他们可以进行丰富多彩的、生动活泼的音乐教学和演绎。1.3. 研究地方民族音乐,促进传承发展在一定地区建立地方高等院校,承担为地方经济建设和社会发展培养合格人才的任务。地方高校要以地方经济和地域文化为依托,以文化、历史、人文为依托
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