Process—Coaching Sessions

J. Church
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Abstract

Part III focuses on the application of the theory, history, aesthetics, character and musical analysis, and technique discussed in chapters 1–6. In the form of chronicles of coaching and music direction situations for eleven rock theatre songs, the reader sees the principles of earlier chapters in action. Attention is again paid to stylistic variety in the material and to the many influences rock music has exerted on the theatre, in both musical and dramatic terms. The importance of upholding both believability and genuine rock aesthetics, and striking the appropriate balance between them, is a theme common to all the sessions. Each coaching is broken down into the background, dramatic context, and performance practices of the material at hand, an analysis of the song in the rock historical continuum, and suggestions for performance germane to the premise of the book: creating effective characterization and telling the story of a song or musical while maintaining an authentic rock performance.
Process-Coaching会话
第三部分侧重于理论、历史、美学、人物和音乐分析以及第1-6章讨论的技术的应用。在编年史的形式教练和音乐指导的情况下,十一摇滚戏剧歌曲,读者看到的原则,前面的章节在行动。再次关注材料的风格多样性,以及摇滚乐在音乐和戏剧方面对戏剧的许多影响。坚持真实性和真正的摇滚美学的重要性,并在两者之间取得适当的平衡,是所有会议的共同主题。每一次辅导都被分解成背景,戏剧背景和手头材料的表演实践,对摇滚历史连续体中的歌曲的分析,以及与本书前提相关的表演建议:创造有效的特征,讲述歌曲或音乐的故事,同时保持真实的摇滚表演。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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