Intertextuality without Texts in Archaic Greek Verse and the Plan of Zeus

L. Edmunds, Janie F. Haywood, C. Pelling, S. Hornblower, E. Carney, A. Griffiths
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引用次数: 6

Abstract

Correspondences between the proems of the Iliad and the Cypria as well as between them and other places in archaic hexameter verse raise the question, in the first place, of the conditions that made them possible. Three different models for these conditions are now in contention. One is the nexus of author, date, and work; a second is multiple parallel oral traditions; a third is a revived and revised neoanalytical one. This last model, with its idea of one poem alluding to another, serves well to explain the set of correspondences that are considered. It is not a matter, as in "classical" neoanalysis, of the one-way borrowing of large "themes" but of small-scale allusion, which is going on across epic and catalogue hexameter verse. This kind of allusion need not presuppose written texts and in fact is better explained as the product of mutually aware oral traditions. Thus intertextuality without texts.
古希腊诗歌中无文本的互文性与宙斯的计划
《伊利亚特》和《塞浦路斯》的题目之间的对应关系,以及它们和其他古代六步格诗之间的对应关系,首先提出了一个问题,即使它们成为可能的条件。目前有三种不同的模型在争论这些条件。一个是作者、日期和作品之间的联系;第二种是多种平行的口头传统;第三种是复兴和修订的新分析主义。最后一种模式,以一首诗暗指另一首诗的观点,很好地解释了我们所考虑的一系列对应关系。这不是像“古典”新分析那样,单向借用大型“主题”的问题,而是贯穿史诗和目录六步诗的小规模典故的问题。这种典故不需要以书面文本为前提,事实上,最好解释为相互意识的口头传统的产物。这就是没有文本的互文性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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