The The Issue of Genre Belonging of F.M. Dostoevsky's Work "The Village of Stepanchikovo"

E. Safronova
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Abstract

The article discusses the issue of genre belonging of Dostoevsky's work «The Village of Stepanchikovo », provides an overview and analysis of existing points of view on the problem of genre, and suggests that this literary text represents a genre experiment of the exiled author. Genetically, the work goes back to the comedy genre. Dostoevsky certainly takes into account the individual traditions of antique, Renaissance, classic comedy, uses a matrimonial plot that is frequent for the comedy repertoire. By the type of plot, «The Village of Stepanchikovo» is close to sitcoms, comedy of intrigue and comedy of characters. At the same time, the author borrowed an unexpected denouement from the genre of tragedy, and such a plot component as twists and turns, moreover, made it a permanent element of the plot. Dostoevsky gives preference to the novel as a genre more appropriate to the peculiarities of his talent and facilitating a complete, internally contradictory depiction of the «course» of life, synthesizing its various modifications: tale of chivalry, love novel, manor, moral, family, psychological, social, philosophical novel.
陀思妥耶夫斯基作品《斯捷潘奇科沃村》的体裁归属问题
本文对陀思妥耶夫斯基作品《斯捷潘奇科沃村》的体裁归属问题进行了探讨,对体裁归属问题已有的观点进行了概述和分析,认为这一文学文本代表了这位流亡作家的体裁实验。从基因上讲,这部作品可以追溯到喜剧类型。陀思妥耶夫斯基当然考虑到了古代,文艺复兴,古典喜剧的个人传统,使用了在喜剧剧目中经常出现的婚姻情节。根据情节类型,《斯捷潘奇科沃村》接近情景喜剧、阴谋喜剧和人物喜剧。同时,作者从悲剧类型中借用了一个意想不到的结局,这种曲折的情节成分,并使其成为情节的永久元素。陀思妥耶夫斯基偏爱小说,认为它是一种更适合他才能的特点的体裁,有助于对生活“过程”进行完整的、内部矛盾的描述,综合了各种修改:骑士故事、爱情小说、庄园、道德、家庭、心理、社会、哲学小说。
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