Narratological Approaches to Multimodal Cross-Cultural Comparisons of Global TV Formats

E. Larkey
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引用次数: 2

Abstract

This article cross-culturally compares different versions of the Quebec sitcom/sketch comedy television series Un Gars, Une Fille (1997-2002) by examining the various gender roles and family conflict management strategies in a scene in which the heterosexual couple visits the male character’s mother-in-law. The article summarizes similarities and differences in the narrative structure, sequencing and content of several format adaptations by compiling computer-generated quantitative and qualitative data on the length of segments. To accomplish this, I have used the annotation function of Adobe Premiere, and visualized the findings using Microsoft Excel bar graphs and tables. This study applies a multimodal methodology to reveal the textual organization of scenes, shots and sequences which guide viewers toward culturally proxemic interpretations. This article discusses the benefits of applying the notion of discursive proximity suggested by Uribe-Jongbloed and Espinosa-Medina (2014) to gain a more comprehensive and complex understanding of the multimodal nature of cross-cultural comparison of global television format adaptations.
全球电视模式多模式跨文化比较的叙事学研究
本文通过考察异性恋夫妇拜访男主角岳母的场景中不同的性别角色和家庭冲突处理策略,跨文化地比较了魁北克情景喜剧/小品喜剧电视系列《一个女孩,一个女孩》(1997-2002)的不同版本。本文通过汇编计算机生成的片段长度定量和定性数据,总结了几种格式改编在叙事结构、顺序和内容上的异同。为了实现这一点,我使用了Adobe Premiere的注释功能,并使用Microsoft Excel的条形图和表格将结果可视化。本研究运用多模态方法揭示场景、镜头和序列的文本组织,引导观众进行文化邻近性的解读。本文讨论了应用Uribe-Jongbloed和Espinosa-Medina(2014)提出的话语邻近概念的好处,以获得对全球电视格式改编的跨文化比较的多模态性质的更全面和复杂的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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