Giovanni Maria Nanino’s Early Patrons in Rome

Anthony Newcomb
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Abstract

The first edition of the First Book for five voices of Giovanni Maria Nanino has been lost, and with it its dedication. A close reading of several of the texts in the book offers clues to the date of that first edition and the circle or circles of patronage that may have nourished the book’s origin. This study is concerned principally with the final group of four “occasional” texts in the book—texts apparently referring to particular persons or occasions—and the much-set amorous lyric in the center of the book. I propose that these five madrigals are connected to a circle of patronage in the late 1560s in Florence and Rome, and that the patrons are Isabella de’ Medici, her husband, Paolo Giordano Orsini, and his distant relative Cardinal Flavio Orsini. In addition to Nanino I discuss the composers Stefano Rossetti, Filippo di Monte, and Maddalena Casulana.
乔瓦尼·玛丽亚·纳尼诺在罗马的早期赞助人
《乔瓦尼·玛丽亚·纳尼诺的五种声音的第一本书》的第一版已经丢失,它的奉献也随之丢失。仔细阅读书中的几个文本,可以提供第一版日期的线索,以及可能滋养这本书起源的赞助圈子。这项研究主要关注的是书中最后四篇“偶然”的文本——这些文本显然指的是特定的人物或场合——以及书中大量设置的情诗。我认为这五首牧歌与1560年代末佛罗伦萨和罗马的一个赞助圈有关,赞助人是伊莎贝拉·德·美第奇,她的丈夫保罗·佐丹诺·奥尔西尼,以及他的远房亲戚弗拉维奥·奥尔西尼。除了纳尼诺,我还讨论了作曲家斯特凡诺·罗塞蒂,菲利波·迪·蒙特和玛达莱娜·卡苏拉娜。
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