The technical mediator in contemporary Iraqi formation

Hikmat Saber Hardan, Jawad Abdul-Kadhim Farhan Al-Zaidi
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Abstract

 The current research (technical mediator in contemporary Iraqi painting) dealt with the concept of technical mediator in contemporary arts and its role in the qualitative transformation in art, the diversity of discoveries in technical media that artists use in their artistic achievement, and the extent of their impact on contemporary Iraqi painting, where the research problem was identified (what is The nature and role of technical media in showing works in contemporary Iraqi painting) and (What are the intellectual and aesthetic concepts of media and techniques as references for contemporary art in Iraq). The second topic dealt with technical media and their impact on the plastic arts, and the third topic focused on the technical medium and the mechanisms of its manifestation in contemporary Iraqi painting, and the third chapter, which included samples of the sample numbered (3), was a model representing the work of three Iraqi artists, while the fourth chapter included the results of the research. And conclusions, and sealed by the researcher sources and references.Conclusions: -1. Achieving visual creativity in artistic works by experimenting with contemporary media and techniques.2. The clear influence of contemporary Western techniques, in the use of new non-circulated media, as a result of constant friction with the latest prevailing artistic trends.3. Contemporary media and techniques are clearly influential in the Iraqi plastic achievement through the dismantling of forms, giving expression a dramatic dimension, and modifying the media from its relations to become self-sufficient, starting towards innovation and singularity in the constructivist style.4. The Iraqi artist was tempted to experiment according to contemporary propositions, after he was tired of the traditional ideas and methods, which have become stagnant in a vicious circle.5. The works of the three artists (Kuish, Abdeen, Bilal) were distinguished by the freedom to choose the appropriate media for their work, and to try to dialogue with the other through multimedia to convey the suffering of his people and the crises they are going through
当代伊拉克形成中的技术调解人
目前的研究(伊拉克当代绘画中的技术中介)涉及当代艺术中的技术中介的概念及其在艺术质的转变中的作用,艺术家在其艺术成就中使用的技术媒体发现的多样性,以及它们对伊拉克当代绘画的影响程度。其中确定了研究问题(技术媒体在展示伊拉克当代绘画作品中的性质和作用是什么)和(作为伊拉克当代艺术参考的媒体和技术的知识和美学概念是什么)。第二个主题涉及技术媒介及其对造型艺术的影响,第三个主题侧重于技术媒介及其在当代伊拉克绘画中的表现机制,第三章包括编号为(3)的样本,是代表三位伊拉克艺术家作品的模型,而第四章包括研究结果。和结论,并密封由研究人员的来源和参考资料。结论:1。通过对当代媒介和技术的试验,在艺术作品中实现视觉创造性。当代西方技术在使用新的非流通媒介方面的明显影响,这是与最新流行的艺术趋势不断摩擦的结果。当代媒体和技术显然对伊拉克的塑料成就产生了影响,通过拆除形式,赋予表达戏剧性的维度,并将媒体从其关系中修改为自给自足,开始朝着构成主义风格的创新和独特性发展。这位伊拉克艺术家在厌倦了陷入恶性循环的传统观念和方法后,受到了根据当代命题进行实验的诱惑。三位艺术家(Kuish, Abdeen, Bilal)的作品以自由选择合适的媒体为特色,并尝试通过多媒体与他人对话,以传达他的人民的苦难和他们正在经历的危机
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