{"title":"“No, But I’m Still Black”","authors":"Ralina L. Joseph","doi":"10.18574/NYU/9781479862825.003.0005","DOIUrl":null,"url":null,"abstract":"Chapter 4 begins part two of the book, which analyzes the words of Black women who are behind and speaking back to their screens, and postulates about what happens when postracial resistance and strategic ambiguity are not available as strategies for success. Chapter 4 focuses on how the young women constructed their community through identifying against strategic ambiguity. This chapter begins by defining the contours of this women-of-color, feminist audience study. Joseph introduces the members of the study to the readers, and takes them through some of their critiques including how they identify against televisual images, how they refute tokenism, and how they enact racialized resistance by “hate-watching.”","PeriodicalId":173125,"journal":{"name":"Postracial Resistance","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Postracial Resistance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18574/NYU/9781479862825.003.0005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Chapter 4 begins part two of the book, which analyzes the words of Black women who are behind and speaking back to their screens, and postulates about what happens when postracial resistance and strategic ambiguity are not available as strategies for success. Chapter 4 focuses on how the young women constructed their community through identifying against strategic ambiguity. This chapter begins by defining the contours of this women-of-color, feminist audience study. Joseph introduces the members of the study to the readers, and takes them through some of their critiques including how they identify against televisual images, how they refute tokenism, and how they enact racialized resistance by “hate-watching.”