Washington State’s Classroom-Based Performance Assessments

AnnRené Joseph
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引用次数: 1

Abstract

How does an entire state assess the arts in every school district at the elementary, middle, and high school levels with interrater validity and reliability? This chapter will summarize how Washington State’s Office of Superintendent of Public Instruction (OSPI) created, developed, designed, piloted, assessed, implemented, and reported arts classroom-based performance assessments (CBPAs), 2003–2016. The OSPI music CBPAs measure what educators value and teach, align with state arts learning standards regarding what all students should know and be able to do in music, and empower teachers to change their practice, resulting in practical significance. Developed by music educators, music CBPAs measure how individual students create, perform, and respond to real-life prompts. The CBPAs are formative and summative in design, and have become part of accountability instructional practices and state policy via annual district implementation verification reports. The vision for the initial CBPA design was: Curriculum + Instruction + Assessment for/ = Learning.
华盛顿州基于课堂的绩效评估
整个州如何评估小学、初中和高中每个学区的艺术水平,并使其具有相互效度和信度?本章将总结2003-2016年华盛顿州公共教育监督办公室(OSPI)如何创建、开发、设计、试点、评估、实施和报告基于艺术课堂的绩效评估(CBPAs)。OSPI音乐cbpa衡量教育工作者所重视和教授的内容,与国家艺术学习标准保持一致,关于所有学生在音乐中应该知道和能够做什么,并授权教师改变他们的实践,从而产生实际意义。由音乐教育家开发的音乐cbpa衡量学生个人如何创作、表演和对现实生活中的提示做出反应。cbpa在设计上具有形成性和总结性,并通过年度地区实施验证报告成为问责教学实践和州政策的一部分。最初设计CBPA的愿景是:课程+教学+评估=学习。
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