Taming Eschatology: The Case of Silja Walter OSB

Polonia Sacra Pub Date : 2022-06-22 DOI:10.15633/ps.26101
B. Sawicki, Chiara Tacchinardi
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Abstract

This paper examines the eschatological themes in the series of poems, The Dance of Obedience or the Straw Carpet, written by the Benedictine nun Silja Walter (1919–2011) — Sr. Hedwig OSB from the Swiss monastery of Fahr. This series of poems is particu- larly representative for the poet’s work as it combines her monastic experience with her personal poetic reading of the Bible in the spirit of lectio divina. These two sourc- es give the analyzed poetry a particular theological quality, originally combining spiritual and dogmatic elements. Having presented the biographical and monastic context of the set in question, the authors show the form, connections and dynamism of the eschatological themes present in the discussed poetry. In conclusion, referring generally to the entirety of Walter’s work, they show the anthropological value of her approach to eschatology, which, in accordance with the title of the article, can be defined as bringing eschatological themes closer to everyday existential experience. This effect is possible thanks to the original use of poetic language.
驯服末世论:西尔加·沃尔特的案例
本文考察了本笃会修女Silja Walter(1919-2011)和瑞士Fahr修道院的老海德维格OSB所写的《顺从之舞或稻草地毯》系列诗歌中的末世论主题。这一系列的诗是诗人的作品的特别代表,因为它结合了她的修道院经历和她个人的诗歌阅读圣经的精神选神。这两种来源赋予了所分析的诗歌一种特殊的神学品质,它最初结合了精神和教条的元素。在提出了传记和修道院的背景下,作者展示了形式,联系和动态的末世论主题呈现在讨论的诗歌。总之,总的来说,参考沃尔特的整个工作,他们展示了她的末世论方法的人类学价值,根据文章的标题,可以定义为使末世论主题更接近日常存在经验。这种效果的产生要归功于诗歌语言的原始使用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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