Artistic aesthetics and educational dimensions of literary text between the paper mediator and the interactive digital mediator

Dr. Reem ahmed abd alazeem
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Abstract

The relationship between literature and technology has excreted new production of texts, based on the correlation and the interaction which depend on utilizing various sources (text, image, sound, movement, movie scene, punctuation, drawing... etc.). Hence, what is called "digital interactive literature" has appeared, within a vision that seeks to renew awareness of the literary text and its production. Effective changes in the literary field occurred due to the linkage between technological invention and literature. The mechanisms of literary text production and its reception have changed and modified both levels of the artistic vision and the creative perspective. Moreover, new literary texts appeared in which the paper creative mediator has been replaced by the electronic mediator and the paper creative person has been transferred to a digital creative person. The components of the creative process (the reader and the text) have also been changed due to the change like this transformation. In addition, these successive developments carried new challenges for the creative person and literary students alike. Hence, this paper came to shed light on the features of digital interactive literature and its essence, then it will clarify the difference between paper literature and digital literature, as well as this paper also will be exposed the characteristics and advantages of digital literature, and then it will focus on the nature of the recipient and the extent of his participation, effectiveness, and responsibility in digital interactive literature as the paper will highlight the technical and aesthetic dimensions of digital literature. Also, the educational and pedagogical dimensions related to such a form of literature. The paper revolves around the importance of digital interactive literature for children. Finally, the paper will be appended by some recommendations emendated from the nature of digital interactive literature and its necessity in the educational process. Keywords: Digital interactive literature – Paper literature – Artistic aesthetics of digital literature – Educational dimensions of digital literature.
文学文本的艺术美学与教育维度:介于纸媒介与互动数字媒介之间
文学与技术的关系产生了新的文本生产,这种生产是基于各种来源(文本、图像、声音、动作、电影场景、标点符号、绘图……)的相互关联和相互作用。等等)。因此,所谓的“数字互动文学”出现了,在一种寻求更新文学文本及其生产意识的愿景中。由于技术发明与文学之间的联系,文学领域发生了有效的变化。文学文本的产生和接受机制在艺术视野和创作视角两个层面上都发生了变化和修正。此外,出现了新的文学文本,其中纸质创作中介被电子中介所取代,纸质创作人被转移到数字创作人。创作过程的组成部分(读者和文本)也因为这种转变而发生了变化。此外,这些连续的发展也给创作人员和文学学生带来了新的挑战。因此,本文首先阐述了数字互动文学的特征及其本质,然后厘清了纸质文学与数字文学的区别,同时揭示了数字文学的特点和优势,然后重点分析了接受者的性质及其参与程度、有效性、以及数字互动文学的责任,因为本文将突出数字文学的技术和美学维度。此外,与这种文学形式有关的教育和教学方面。这篇论文围绕着数字互动文学对儿童的重要性展开。最后,本文将从数字互动文献的本质及其在教育过程中的必要性出发,提出一些建议。关键词:数字互动文学纸质文学数字文学艺术美学数字文学教育维度
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