“‘Shakespeare’ on his lips”: Dreaming of the Shakespeare Center for Radical Thought and Transformative Action

Eric L. De Barros
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引用次数: 1

Abstract

Rooting his pedagogy in an Orwellian commitment to exploring the relation between writing and the cultural forces that shape it, Eric L. De Barros takes up linguistic complexity itself as a pedagogical model in this chapter. De Barros sees Shakespeare’s texts as a “weapon” to use against a range of lazy habits of mind, from bardolatry to consumerist approaches to higher education. He describes how he invites students to examine their own subject positions and ethical priorities in conversation with Shakespeare’s plays; how this engagement spurs conversations about issues from racialized beauty and consent to social mobility and criminality; and finally, how students parlay these insights into practical strategies for addressing related issues in their own lives. Fusing thoughtful intertextual engagements with close reading and autobiographical student writing, De Barros seeks to develop a “personally inflected, politically responsive” Shakespeare capable of combating cultural forces that discourage potentially subversive thought and action.
“唇上的莎士比亚”:梦想莎士比亚激进思想和变革行动中心
埃里克·l·德·巴罗斯(Eric L. De Barros)的教学法植根于奥威尔式的探索写作与塑造写作的文化力量之间关系的承诺,在本章中,他将语言复杂性本身作为一种教学模式。德·巴罗斯认为莎士比亚的作品是一种“武器”,可以用来对抗一系列懒惰的思维习惯,从bardolatry到消费主义,再到高等教育。他描述了他如何邀请学生在与莎士比亚戏剧的对话中审视自己的主体立场和道德优先事项;这种接触如何激发了关于从种族化的美和同意到社会流动性和犯罪等问题的对话;最后,学生如何将这些见解运用到解决自己生活中相关问题的实用策略中。德·巴罗斯将深思熟虑的互文互动与细读和学生自传体写作融合在一起,试图塑造一个“个人的、对政治有反应的”莎士比亚,他能够与阻碍潜在颠覆性思想和行动的文化力量作斗争。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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