Art, Communities, and Housing Form

Marla Guppy
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引用次数: 1

Abstract

This chapter considers art projects that respond politically and culturally to housing form as an expression of a particular relationship to the notion of home. The artworks describe relationships directed by place, locality, and demographics yet available for sabotage, humor, dissent, and sometimes a publicly expressed sadness and loss. The idea that, woven through the ubiquitous streets of bungalows, there might be a culturally rich and diverse community life underpinned community art projects. The underlying belief of community cultural development, that the creative process was itself empowering, gained traction in the region. Community organizations scrabbled for both the process of empowerment and the alternative imagery offered by radical cultural movements including the community arts movement, which created perspectives absent from the mainstream media. Community facilities, schools, new shopping villages, sports fields, cycle paths, and well-designed open space were prioritized and delivered early in the construction process.
艺术、社区和住房形式
这一章考虑了艺术项目在政治和文化上对住房形式的回应,作为一种对家庭概念的特殊关系的表达。这些作品描述了由地点、地域和人口特征所引导的关系,但也可以用于破坏、幽默、异议,有时还可以公开表达悲伤和失落。这种想法是,通过无处不在的平房街道交织在一起,可能会有一个文化丰富多样的社区生活,支撑着社区艺术项目。社区文化发展的基本信念,即创造性过程本身就是赋予权力,在该地区获得了牵引力。社区组织争夺权力的过程和激进文化运动提供的替代图像,包括社区艺术运动,这些运动创造了主流媒体所缺乏的视角。社区设施、学校、新的购物村、运动场、自行车道和精心设计的开放空间在建设过程中被优先考虑并尽早交付。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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