Chapter Five. Conclusions

Michael Lipka
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Abstract

All major Roman gods were clearly and emphatically marked by permanent spatial foci of their cults in the city, especially by a temple. In addition, space was also a prime parameter in creating Roman myths. The lack of spatial focalization had an immediate impact on two conceptual categories, namely time and iconography. To begin with time: the lack of spatial foci led to a less intense temporal focalization of the cult, since a spatial focus naturally facilitated and required the temporal coordination of cult activities. With regard to iconography, the absence of spatial foci resulted in a lack of iconographic foci. Three categories were relatively independent of spatial focalization: personnel, functions and rituals. One should also take into consideration the priestly seers and their families, who took on the composition, compilation, preservation and explanation of Vedic hymns.Keywords: Christian cult; iconographic foci; Roman Gods; spatial foci
第五章。结论
所有主要的罗马神在城市中都有明确而明显的空间中心,尤其是神庙。此外,空间也是创造罗马神话的主要参数。空间聚焦的缺乏直接影响了两个概念范畴,即时间和图像。从时间开始:空间焦点的缺乏导致了邪教的时间焦点不那么强烈,因为空间焦点自然促进并要求邪教活动的时间协调。在图像学方面,空间焦点的缺失导致了图像焦点的缺失。有三个类别相对独立于空间焦点:人员、功能和仪式。我们还应该考虑到祭司预言家和他们的家庭,他们承担了创作、编纂、保存和解释吠陀赞美诗的工作。关键词:基督教邪教;肖像的焦点;罗马的神;空间焦点
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