DDX7: Differentiable FM Synthesis of Musical Instrument Sounds

Franco Caspe, Andrew Mcpherson, M. Sandler
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引用次数: 15

Abstract

FM Synthesis is a well-known algorithm used to generate complex timbre from a compact set of design primitives. Typically featuring a MIDI interface, it is usually impractical to control it from an audio source. On the other hand, Differentiable Digital Signal Processing (DDSP) has enabled nuanced audio rendering by Deep Neural Networks (DNNs) that learn to control differentiable synthesis layers from arbitrary sound inputs. The training process involves a corpus of audio for supervision, and spectral reconstruction loss functions. Such functions, while being great to match spectral amplitudes, present a lack of pitch direction which can hinder the joint optimization of the parameters of FM synthesizers. In this paper, we take steps towards enabling continuous control of a well-established FM synthesis architecture from an audio input. Firstly, we discuss a set of design constraints that ease spectral optimization of a differentiable FM synthesizer via a standard reconstruction loss. Next, we present Differentiable DX7 (DDX7), a lightweight architecture for neural FM resynthesis of musical instrument sounds in terms of a compact set of parameters. We train the model on instrument samples extracted from the URMP dataset, and quantitatively demonstrate its comparable audio quality against selected benchmarks.
DDX7:乐器声音的可微分调频合成
调频合成是一种众所周知的算法,用于从一组紧凑的设计原语中生成复杂的音色。典型的特点是一个MIDI接口,它通常是不切实际的控制它从音频源。另一方面,可微分数字信号处理(DDSP)使深度神经网络(dnn)能够通过学习控制任意声音输入的可微分合成层实现细微的音频渲染。训练过程包括一个用于监督的音频语料库,以及谱重建损失函数。这些函数虽然能很好地匹配谱幅值,但缺乏基音方向,不利于调频合成器参数的联合优化。在本文中,我们采取措施,从音频输入实现一个完善的FM合成架构的连续控制。首先,我们讨论了一组设计约束,通过标准重构损耗简化可微调频合成器的频谱优化。接下来,我们提出了可微分的DX7 (DDX7),这是一种轻量级架构,用于根据一组紧凑的参数对乐器声音进行神经调频重合成。我们在从URMP数据集中提取的乐器样本上训练模型,并根据选定的基准定量地证明其可比较的音频质量。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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