Writing Haiku

Evan Vandermeer
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Abstract

As an undergraduate student at Ball State University in Muncie, Indiana, before I discovered haiku, I was immersed in contemporary poetry Robert Bly, Gary Snyder, Robert Creeley, Sylvia Plath and enjoyed studying the modernist poets such as William Carlos Williams and Ezra Pound. However, as a Latin minor, I was also very interested in translating epigrams and reading fragments of Greek lyric poetry. My honours thesis was on Western traditions of the short poem comparing the ability of Greek lyric poetry to convey emotional intensity with the epigram, which more typically conveys witty satire. I became aware of the primary goals of the Western short poem to bring readers to tears or laughter. In my final semester at Ball State I won the student writing award and immediately took my prize money to the bookstore where I bought collections of short poetry, including two anthologies of haiku: The Haiku Anthology edited by Cor van den Heuvel, and Modern Japanese Haiku translated and edited by Makoto Ueda. You could say that my understanding of haiku initially "came from" these two books purchased in 1976.
写俳句
作为印第安纳州曼西市波尔州立大学的一名本科生,在我发现俳句之前,我沉浸在当代诗歌中,罗伯特·布莱、加里·斯奈德、罗伯特·克里利、西尔维亚·普拉斯,喜欢研究威廉·卡洛斯·威廉姆斯和埃兹拉·庞德等现代主义诗人。然而,作为一名辅修拉丁语的学生,我对翻译警句和阅读希腊抒情诗的片段也很感兴趣。我的荣誉论文是关于西方短诗的传统,比较希腊抒情诗和警句表达情感强度的能力,警句更典型地表达了诙谐的讽刺。我开始意识到西方短诗的主要目的是让读者笑或流泪。在波尔州立大学的最后一个学期,我获得了学生写作奖,并立即拿着奖金去书店买了短篇诗集,其中包括两本俳句选集:由科尔·范登·休维尔编辑的《俳句选集》和由上田真译编辑的《现代日本俳句》。可以说,我对俳句的理解最初“来自”1976年买的这两本书。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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