England Meets Jamaica’s Lollipop Girl

A. Apolloni
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Abstract

Black Jamaican singer Millie Small’s “My Boy Lollipop” was one of the first global pop hits with origins in Jamaican pop music. British commentators caricatured Small’s Jamaican background while construing her as the ideal ambassador to bring Jamaican pop to white British audiences. This chapter listens to Millie Small’s voice in this context. Despite attempts to diminish her accent, Small’s distinctive voice proved difficult to discipline and its reception reveals how ideas about sonic femininity collide with racist anxiety. The chapter closely attends to the way she sings “My Boy Lollipop,” and the way that Black and white audiences responded to her voice. It then discusses her performance on the iconic Around the Beatles TV special, which allows us to hear her voice in the context of competing discourses of modernity. The chapter concludes by reflecting on one of Small’s later recordings—the antiracist anthem “Enoch Power.”
英国遇见牙买加的棒棒糖女孩
牙买加黑人歌手米莉·斯莫尔的《My Boy Lollipop》是最早起源于牙买加流行音乐的全球流行歌曲之一。英国评论员讽刺斯莫尔的牙买加背景,同时将她视为将牙买加流行音乐带给英国白人观众的理想大使。本章倾听米莉·斯莫尔在此背景下的声音。尽管人们试图淡化斯莫尔的口音,但事实证明,她独特的嗓音很难控制,人们对她的接受表明,关于声音女性气质的想法是如何与种族主义焦虑相冲突的。这一章密切关注她唱“我的男孩棒棒糖”的方式,以及黑人和白人观众对她的声音的反应。然后讨论了她在标志性的“围绕披头士”电视特别节目中的表演,这让我们能够在现代性竞争话语的背景下听到她的声音。本章最后回顾了斯莫尔后来的一首反种族主义歌曲《以诺的力量》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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