{"title":"Comparison of MUSIC and matched filter delay estimators in DS-CDMA","authors":"P. Luukkanen, J. Joutsensalo","doi":"10.1109/PIMRC.1997.627002","DOIUrl":null,"url":null,"abstract":"This paper focuses on the initial code phase estimation, also called acquisition, in the asynchronous multiuser CDMA system. The performance of the subspace-based MUSIC (Multiple Signal Classification) estimator is compared to the conventional matched filter. Simulation results for a communication system with ten users each having a 2-path Rayleigh fading channel and raised-cosine shaped chip waveform are presented. It is shown that the celebrated near-far resistance and the overall performance of MUSIC is maintained only at the signal-to-noise ratios higher than normally realizable in practical systems.","PeriodicalId":362340,"journal":{"name":"Proceedings of 8th International Symposium on Personal, Indoor and Mobile Radio Communications - PIMRC '97","volume":"58 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1997-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"11","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of 8th International Symposium on Personal, Indoor and Mobile Radio Communications - PIMRC '97","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/PIMRC.1997.627002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 11
Abstract
This paper focuses on the initial code phase estimation, also called acquisition, in the asynchronous multiuser CDMA system. The performance of the subspace-based MUSIC (Multiple Signal Classification) estimator is compared to the conventional matched filter. Simulation results for a communication system with ten users each having a 2-path Rayleigh fading channel and raised-cosine shaped chip waveform are presented. It is shown that the celebrated near-far resistance and the overall performance of MUSIC is maintained only at the signal-to-noise ratios higher than normally realizable in practical systems.