{"title":"Woolf as a Model Builder: Complex Form in the “Ode to Cutbush”","authors":"Adam Hammond","doi":"10.3828/liverpool/9781942954569.003.0019","DOIUrl":null,"url":null,"abstract":"This chapter argues that literary studies is returning to the concerns of the modernist period and interests of Woolf. Hammond draws on complexity theory to present Woolf as a model builder: she understood that the form was interactive and so provides impressions rather than telling reader what exists.","PeriodicalId":402065,"journal":{"name":"Virginia Woolf and the World of Books","volume":"34 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Virginia Woolf and the World of Books","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/liverpool/9781942954569.003.0019","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter argues that literary studies is returning to the concerns of the modernist period and interests of Woolf. Hammond draws on complexity theory to present Woolf as a model builder: she understood that the form was interactive and so provides impressions rather than telling reader what exists.