Framing Emotions on Mainstream Media Instagram Feeds During the First Wave of the COVID-19 Pandemic

Justyna Szulich-Kałuża, Joanna Szegda
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Abstract

The main goal of this paper is to answer the following questions. 1) What visual narratives about emotions are constructed and imposed by mainstream media on their Instagram channels during the COVID-19 pandemic? 2) How do they frame them by complementing existing or creating new iconic-symbolic representations of the semantic framework of selected emotions (joy, fear, sadness, anger)? The selected visual material included photos and drawings and was examined using quantitative and qualitative content analysis and comparative semiological analysis. The analysis showed a low saturation of media messages with emotions and made it possible to describe the semantic media framework of individual emotions according to the following scheme: bodily sensations, expressive gestures, social situation and emotional culture.
在COVID-19大流行的第一波浪潮中,在主流媒体Instagram上构建情绪
本文的主要目的是回答以下问题。1)在2019冠状病毒病大流行期间,主流媒体在其Instagram渠道上构建和强加了哪些关于情绪的视觉叙事?2)他们如何通过补充现有的或创造新的选定情绪(喜悦,恐惧,悲伤,愤怒)的语义框架的符号表征来构建它们?选择的视觉材料包括照片和图纸,并使用定量和定性内容分析和比较符号学分析进行检查。分析表明,媒体信息中带有情绪的饱和度较低,可以根据以下图式描述个体情绪的语义媒体框架:身体感觉、表达手势、社会情境和情感文化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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