George Kleine’s Film Distribution in 1909

Richard Abel
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Abstract

Abstract:These rare documents reveal intriguing information about how many reels of film George Kleine’s MPPC company was releasing and to which rental exchanges during five weeks in May–June 1909, a turbulent period in the US movie industry. Kleine released on average no more than two reels of half a dozen Gaumont and Eclipse fiction and nonfiction films per week, and those reels went to exchanges largely in the Midwest and Northeast but hardly any in the Southeast and Southwest. A few trade press and newspaper references suggest that Kleine films were shown mostly in small theaters in small towns and often for only a single day’s screening. Their circulation confirms, along with the parallel reduction of imports from Pathé-Frères, that French films no longer could dominate the American movie market. They also indicate that although the company’s business seemed stable, Kleine realized it was in crisis and soon would explore ways of distributing different kinds of films.
乔治·克莱因1909年的电影发行
摘要:这些罕见的文件揭示了1909年5月至6月美国电影工业动荡时期,乔治·克莱因的MPPC公司在五周内发行了多少卷电影以及哪些租赁交换的有趣信息。克莱恩平均每周发行不超过两卷的高蒙和日食小说和非小说电影,这些电影主要在中西部和东北部的交易所发行,而在东南部和西南部几乎没有。一些行业媒体和报纸的参考资料显示,克莱恩的电影大多在小城镇的小影院放映,而且往往只放映一天。它们的发行量,以及从法国进口的减少,证实了法国电影不再能主导美国电影市场。它们还表明,尽管公司的业务看起来很稳定,但克莱恩意识到它正处于危机之中,很快就会探索发行不同类型电影的方式。
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