Christian Moralism in The House of the Seven Gables

J. Cook
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引用次数: 1

Abstract

This essay analyzes the pervasive presence of Christian motifs in The House of the Seven Gables, arguing that the most useful term to describe the author’s religious agenda in the novel is Christian moralism. While previous critics have noticed some of the religious and allegorical features of the narrative, none have provided an overarching explanation for their overall significance. A series of overt and covert biblical allusions thus provides a basis for key scenes and characterizations in the narrative, as the Pyncheon patriarchs, Colonel and Judge, are symbolically damned for their murderous hubris, while the inhabitants of the Pyncheon family mansion are eventually rewarded for their moral virtues of submission (Hepzibah, Clifford), love and charity (Phoebe), and forgiveness of injuries (Holgrave). Tracing the evidence of Christian moralism in The House of the Seven Gables enhances the reader’s appreciation of Hawthorne’s artistry in incorporating religious themes and motifs into his fiction without giving them overtly tendentious purposes.
《七个山墙之家》中的基督教道德主义
本文分析了《七座山墙的房子》中普遍存在的基督教主题,认为描述作者在小说中的宗教议程最有用的术语是基督教道德主义。虽然以前的评论家已经注意到一些宗教和寓言的叙事特点,没有提供一个总体的解释,他们的整体意义。因此,一系列或明或暗的《圣经》典藏为故事中的关键场景和人物塑造提供了基础,比如品钦家的族长上校和法官,因为他们杀人的傲慢而象征性地被诅咒,而品钦家豪宅的居民最终因他们顺从的道德美德(赫普兹巴,克利福德)、爱和慈善(菲比)以及宽恕伤害(霍尔格雷夫)而得到回报。在《七座山墙的房子》中寻找基督教道德主义的证据,增强了读者对霍桑在小说中融入宗教主题和母题的艺术欣赏,同时又没有给它们明显的倾向目的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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