The Play of the Qurʾanic Trace: Engaging Stefania Pandolfo's Knot of the Soul

Ali Altaf Mian
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Abstract

The presence-absence of the trace, which one should not even call its ambiguity but rather its play (for the word “ambiguity” requires the logic of presence, even when it begins to disobey that logic), carries in itself the problems of the letter and the spirit, of body and soul, and of all the problems whose primary affinity we have recalled. All dualisms, all theories of immortality of the soul or of the spirit, as well as all monisms, spiritualist or materialist, dialectical or vulgar, are the unique theme of a metaphysics whose entire history was compelled to strive toward the reduction of the trace. The subordination of the trace to the full presence summed up in the
古兰经痕迹的戏剧:参与斯蒂凡妮亚·潘多尔福的灵魂结
痕迹的存在-缺失,我们甚至不应该称之为它的模糊性,而应该称之为它的游戏(因为“模糊性”这个词需要存在的逻辑,即使它开始违背这种逻辑),它本身就包含着文字和精神、身体和灵魂的问题,以及我们所回忆的所有主要关系的问题。所有的二元论,所有灵魂或精神不朽的理论,以及所有的一元论,唯心论或唯物主义,辩证或庸俗,都是形而上学的独特主题,其整个历史都被迫为减少痕迹而努力。痕迹从属于完整的存在,总结在
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