Defining Modernity through Education: Women’s Responses from Colonial Punjab

A. Minocha
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引用次数: 1

Abstract

Late-19th and early-20th centuries in Punjab were times of ferment and formation of new class,  caste, gender, and religious identities. The quest for a localized modernity at this historical  juncture was spear-headed by reform movements of Arya Samaj, Singh Sabha, and Ahmaddiya  reform movement, that predicated their quest on the construction of ‘modern womanhood’.  The new technology of print was used effectively by reform patriarchies to disseminate these  representations of modern womanhood. While much has been written about these patriarchal  reform movements that projected their own modernity through ‘liberal improvements’ in the  condition of their women and by opening up to ideas of education and companionate marriages,  the presence of women in this history has been elided over. This essay examines the print  spheres in late-19th and early-20th century Punjab, especially the periodical press, to trace  women’s responses to reform prescriptions about their education and deportment. It is in this  interplay between dominant discursive formations and alternative modes of articulation by  women that multiple cultural meanings emerge. 
通过教育定义现代性:旁遮普殖民地妇女的反应
19世纪末和20世纪初,旁遮普是新阶级、种姓、性别和宗教身份发酵和形成的时期。在这个历史关头,对局部现代性的追求是由Arya Samaj, Singh Sabha和Ahmaddiya改革运动的改革运动带头的,这些改革运动将他们的追求建立在“现代女性”的建设上。新的印刷技术被有效地用于改革父权制来传播这些现代女性的表现。这些父权改革运动通过对女性状况的“自由改善”,以及对教育和伴侣婚姻的开放,来投射自己的现代性,虽然有很多关于这些运动的文章,但这段历史中女性的存在却被忽略了。本文考察了19世纪末和20世纪初旁遮普的印刷领域,特别是期刊出版社,以追踪妇女对改革处方的反应,这些处方涉及她们的教育和仪态。正是在这种主导话语形式和女性表达的替代模式之间的相互作用中,多种文化意义出现了。
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