The principle of "ars imitatur naturam" in the genesis of philosophical and educational conceptions of Jan Amos Komensky and Grigory Skovoroda

A. Stepanova
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Abstract

The article is devoted to the study of the role and modification of the Aristotelian principle of ars imitatur naturam in the formation of the concept of the Czech thinker, teacher, and theologian Jan Amos Comenius. The variety of approaches of Protestant thinkers to Aristotle's principle, born in the discussion, allowed Comenius to address it critically, perceiving it comprehensively and extending the concept of art to the sphere of education. Campanella's ideas moved Comenius to remove the veneer of indeterminacy from nature, promoting an understanding of it as a friendly and creative beginning. The author notes the peculiarity of Comenius' interpretation of this principle, giving it the meaning of universal nature-humanitarian mechanism which suited his concept of pan-sophia to the fullest extent. Comenius and G. Skovoroda, who developed the concepts of kinship and wisdom in the light of the ideas of enlightenment, thus laying the foundations of humanistic philosophy and pedagogy of the New Age and Enlightenment era, make an analogy between the interpretations of the Aristotelian thesis.
科门斯基和斯科沃罗达的哲学和教育理念的起源中的“模仿自然”原则
本文致力于研究亚里士多德的模仿自然原则在捷克思想家、教师和神学家扬·阿莫斯·夸美纽斯的概念形成过程中的作用和修改。在讨论中诞生的新教思想家对亚里士多德原则的各种方法,使夸美纽斯能够批判性地解决它,全面地感知它,并将艺术概念扩展到教育领域。坎帕内拉的想法促使夸美纽斯从自然中去除不确定的外表,促进了对自然的理解,认为它是一个友好和创造性的开端。作者指出,夸美纽斯对这一原则的解释具有独特性,赋予其普遍自然-人道主义机制的意义,这与他的泛索菲娅概念最适合。夸美纽斯和斯科沃罗达在启蒙思想的基础上发展了亲属和智慧的概念,从而奠定了新时代和启蒙时代人文主义哲学和教育学的基础,他们将亚里士多德的论题的解释进行了类比。
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