Identitas Budaya Masyarakat Kota: Teater Tradisi di Kota Surabaya Pada Awal Abad XX

S. Samidi
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引用次数: 3

Abstract

This study examines why does Ludruk represent the cultural identity of the people of Surabaya? How does society appreciate the traditional theater, especially in Ludruk in their daily practice? The purpose of this article explains the historical reality of Ludruk art that serves as entertainment and cultural identity. This article using the historical method by relying on historical sources. The result shows that theater traditions that existed and famous in Surabaya at the beginning of the 20th century were Comedy Stambul, Wayang Wong, and Ludruk, then appeared Ketoprak in the late 1930s. The appearance of this theater has been adapted to the tastes of the support community. Comedy Stambul is a theater that originated in India, then spread to Southeast Asia. Comedy Stambul is considered as a hybrid art because it comes from a blend of local cultural elements, while Wayang Wong, Ludruk, and Ketoprak an original art derived from customs and local values. Theater that represents the cultural identity of the people of Surabaya is Ludruk.
城市社会认同:20世纪初泗水的传统剧场
本研究探讨为何Ludruk代表泗水人民的文化认同?社会如何在日常实践中欣赏传统戏剧,特别是在Ludruk ?本文的目的是解释作为娱乐和文化认同的Ludruk艺术的历史现实。本文采用史学方法,依托史料。结果表明,20世纪初在泗水存在并出名的戏剧传统有《喜剧Stambul》、《王Wayang Wong》、《Ludruk》,然后在30年代末出现了《Ketoprak》。这个剧院的外观已经适应了支持社区的口味。喜剧伊斯坦布尔是一种起源于印度,然后传播到东南亚的戏剧。喜剧《Stambul》被认为是一种混合艺术,因为它融合了当地的文化元素,而Wayang Wong、Ludruk和Ketoprak则是一种源自习俗和当地价值观的原创艺术。代表泗水人民文化身份的戏剧是Ludruk。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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