{"title":"“One Need Be Neither a Shopper Nor a Purchaser to Enjoy:” Ephemeral Exhibitions at Tiffany & Co., 1870–1905","authors":"Amy McHugh, Cristina Vignone","doi":"10.1017/9789048542932.002","DOIUrl":null,"url":null,"abstract":"Tiffany & Co. has been a shopping destination since its founding in 1837. It\n is much less well-known for the exhibitions that it staged in the nineteenth\n century. Accounts of these exhibitions abound in documents preserved\n in Tiffany’s archive. They range in subject from patriotic displays, to the\n pyramid atop the Washington Monument set on the floor so that visitors\n could step over it, to the hide of the circus elephant Forepaugh pinned in\n the store’s windows. Many reviews indicate that Tiffany’s staff encouraged\n idling through the shows with no expectation of purchases. This chapter\n explores how the flagship was simultaneously designed for shopping but\n also provided exposure to high jewelry and fancy goods, educational\n opportunities, and nineteenth-century popular culture.","PeriodicalId":158457,"journal":{"name":"Ephemeral Spectacles, Exhibition Spaces and Museums","volume":"24 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ephemeral Spectacles, Exhibition Spaces and Museums","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/9789048542932.002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Tiffany & Co. has been a shopping destination since its founding in 1837. It
is much less well-known for the exhibitions that it staged in the nineteenth
century. Accounts of these exhibitions abound in documents preserved
in Tiffany’s archive. They range in subject from patriotic displays, to the
pyramid atop the Washington Monument set on the floor so that visitors
could step over it, to the hide of the circus elephant Forepaugh pinned in
the store’s windows. Many reviews indicate that Tiffany’s staff encouraged
idling through the shows with no expectation of purchases. This chapter
explores how the flagship was simultaneously designed for shopping but
also provided exposure to high jewelry and fancy goods, educational
opportunities, and nineteenth-century popular culture.