The Green Ray By Eric Rohmer: An Attempt To Find The Real Story

Nazirull Safry Paijo, H. Muthalib
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Abstract

This paper intends to go below the surface of Eric Rohmer’s 1986 masterpiece, to discover what is really being said in the film. It is but a brief look at the film’s naturalistic approach that carries elements of philosophy while also giving it a psychological touch. It is not too difficult a task as clues to what the film is really about are scattered throughout the screenplay. Eric Rohmer alludes to cinema being an art, eschewing the visual fireworks of commercial cinema and instead explores a character’s imagination and obsession
埃里克·侯麦的《绿光》:寻找真实故事的尝试
本文试图透过这部埃里克·侯麦(Eric Rohmer) 1986年的杰作的表面,去发现电影中真正在说什么。我们只是简单地看一下这部电影的自然主义手法,它带有哲学元素,同时也赋予了它心理上的触摸。这并不是一项太难的任务,因为关于这部电影的真正内容的线索散落在剧本中。埃里克·侯麦暗示电影是一门艺术,避开商业电影的视觉烟火,而是探索角色的想象力和痴迷
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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