Austen and the Cultural Logic of Late Toryism

J. Havard
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Abstract

This chapter revises accounts of the early nineteenth-century rightward turn in Britain by emphasizing that shift’s Tory character and affective dimension. Examining how the cultural logic of this ‘late’ Toryism took shape in and beyond political culture, the chapter takes up Jane Austen’s Mansfield Park (1814) as its central case. Austen’s novel was not only compatible with the reinvention of royal prerogative and increased emphasis on order but actively sought to bolster their operations. Rather than aligning Austen’s authorship entirely with this shift, however, detailed attention to the novel reveals challenges (in the guise of characters who exceed their ‘place’) to the harmonious workings of this wider cultural-political system. The chapter concludes by reflecting on how those elements of Mansfield Park that threaten to elude these channels of control—and the ‘wayward’ heroines of her novels, beginning with Elizabeth Bennet of Pride and Prejudice—call the political status of Austen’s own writings into question.
奥斯汀与晚期保守主义的文化逻辑
本章通过强调保守党的特征和情感维度,修正了19世纪早期英国的右转。本章以简·奥斯汀的《曼斯菲尔德庄园》(1814)为中心,考察了这种“晚期”保守主义的文化逻辑是如何在政治文化中形成的。奥斯丁的小说不仅与皇室特权的重塑和对秩序的强调相一致,而且积极地寻求支持他们的运作。然而,并没有将奥斯汀的写作风格完全与这种转变联系起来,而是对小说的详细关注揭示了这种更广泛的文化政治体系的和谐运作所面临的挑战(以超越他们“位置”的人物为伪装)。这一章最后反思了《曼斯菲尔德庄园》中那些威胁着逃避这些控制渠道的元素,以及她小说中那些“任性的”女主人公,从《傲慢与偏见》中的伊丽莎白·班纳特开始,是如何让奥斯汀自己作品的政治地位受到质疑的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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