Classical Music in the Shah and Rana Era: 1768 - 1951 A.D.

R. Pokharel
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Abstract

The tradition of classical music was more justified during the Shah and Rana Dynasty’s ruling. During the time the cultural import from neighboring India and the wide appreciation of music by kings and the Royal Palace of Nepal show the influence of Classical music among the Shah and Rana families. Some Rana Prime Ministers wanted to promote classical music but in practice most music was limited to the Royal palace and Rana family. Music Education, as well as all kinds of formal education were banned for the citizens of Nepal during the Rana regime. Those who were close to the Rana family and the palace were supposed to learn classical music from the patronized Ustaad /Pundit of the Palace and private teachers as well. This paper attempts to discuss the overall developing trends of classical music during Shah and Rana periods of Nepal in relation to development, extension and its practices in Nepalese society. All evidences have been taken from several documentaries. Whatever we practice as classical music today has taken the step of development in those periods. The evidence shows that especially raga based different Music genres were practiced and flourished in those periods.
沙阿和拉纳时代的古典音乐:公元1768年至1951年
在沙阿和拉纳王朝的统治时期,古典音乐的传统更为合理。在此期间,来自邻国印度的文化输入以及国王和尼泊尔王宫对音乐的广泛欣赏显示了古典音乐在沙阿和拉纳家族中的影响。一些拉纳首相想要推广古典音乐,但实际上大多数音乐都局限于王室和拉纳家族。在拉纳政权期间,音乐教育以及各种正规教育都被尼泊尔公民禁止。那些与拉纳家族和宫殿关系密切的人应该从受资助的乌斯塔德/宫廷专家和私人教师那里学习古典音乐。本文试图探讨尼泊尔沙阿和拉纳时期古典音乐的总体发展趋势,以及古典音乐在尼泊尔社会中的发展、延伸和实践。所有证据都取自几部纪录片。无论我们今天作为古典音乐练习的是什么,在那个时期都迈出了发展的一步。证据表明,特别是基于不同音乐流派的拉格在这些时期得到了实践和繁荣。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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