On Writing from a Postcolonial Perspective

Sindiwe Magona
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Abstract

Sindiwe Magona started writing in pursuit of agency as opposed to victimhood. With no training in writing, she felt nonetheless she could paint a much better, more realistic picture than what she found in stories of her people written by white people, to say nothing of how history books represented black Africans or “Bantu” as the terminology of the day went. Another fact that pushed her to dare to write was the almost total absence of records left to her generation by the preceding one. She wanted to close that lacuna. Her first book, To My Children’s Children, was published in 1990 when she was almost fifty years old. Magona wrote the autobiography as a record of life lived in a specific period, by specific people, using hers as an example. The book references other lives, not only that of her family. The cultural milieu and the overarching theme, given the times, however, is of the oppressive system of apartheid—legalized racism. Memory represents not only what is remembered but the inescapable past as represented by the still felt, still visible, still “performing” insights, ideas, ideology, actions, and reactions of South Africans almost a quarter of a century since the end of apartheid came with the first democratic elections of April 27, 1994. Each of her books—four novels, two collections of short stories, two autobiographies, two published plays, three biographies, a book of poetry, as well as her articles, essays, and talks—gives evidence of Magona’s witness of what happens, how it happens, and its observed or acknowledged consequences. She takes the journey further, exploring the inner meanings of the observed. The inner lives of victims and perpetrators, of oppressed and oppressor, and all the other binaries of which she is aware concern her. She set out to write, to leave a record for all posterity, not only black posterity, for it is her firm belief, hope, and prayer that, ere long, humanity will find itself, regain its former oneness or sense of belonging, and understand there are no races but one, the human race.
论后殖民视角下的写作
Sindiwe Magona开始写作是为了追求代理而不是受害者。虽然没有受过写作训练,但她觉得自己可以比白人写的关于自己民族的故事描绘得更好、更现实,更不用说历史书是如何描绘非洲黑人或当时流行的“班图人”的了。促使她敢于写作的另一个事实是,上一代人几乎没有留下任何记录。她想要填补这个空白。她的第一本书《致我孩子的孩子》出版于1990年,当时她快50岁了。玛戈娜写这本自传是为了记录特定时期、特定人物的生活,并以她为例。这本书提到了其他人的生活,而不仅仅是她家人的生活。然而,在当时的时代背景下,影片的文化背景和主要主题是种族隔离合法化的种族主义压迫制度。自1994年4月27日第一次民主选举结束种族隔离制度以来,近四分之一个世纪以来,记忆不仅代表着被记住的东西,而且代表着南非人仍然感受到的、仍然看得见的、仍然在“表演”的见解、思想、意识形态、行动和反应所代表的不可避免的过去。她的每一本书——四部小说、两部短篇小说集、两部自传、两部已出版的戏剧、三部传记、一本诗集,以及她的文章、随笔和谈话——都证明了玛戈娜见证了发生了什么,事情是如何发生的,以及人们观察到的或公认的后果。她将旅程走得更远,探索被观察事物的内在意义。受害者和加害者、被压迫者和压迫者的内心生活,以及她所意识到的所有其他二元对立都与她有关。她开始写作,为所有的后代留下记录,而不仅仅是黑人的后代,因为她坚定的信念、希望和祈祷是,不久之后,人类将找到自己,重新获得以前的统一性或归属感,并明白只有一个种族,那就是人类。
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