Exploring the Subject of Hindu Widowhood in Koirala and Shah’s Short Stories

Mahendra Kumar Budhathoki
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Abstract

Nepali Hindu widows have been discriminated in social, cultural and religious activities that have affected the psyche of the widows. People debilitate widows and consider them vulnerable and insecure. The research paper has explored the portrayal of Nepali Hindu widows’ conditions in B. P. Koirala’s “To the Lowlands” and Prem Shah’s “A Husband” from the viewpoint of new criticism. The conflicts, tensions, symbols and meanings of the lives of the Hindu widows portrayed in the selected texts are analysed from a new critic’s perspective. The study has exploited exploratory qualitative method. Koirala has portrayed a Hindu widow who left the house because of abuses by her brother-in-law and tortured by in-laws. She moved to the plain (tarai) with four men including Gore for happy life. But Gore stole the widow’s gold and money despite her marriage proposal. Shah portrayed a widow Nirmala who was teased and abused by a driver and her sister’s probable husband. She wants to make up her face, but she was frightened with her elder brother, sister and mother because of restrictions imposed upon Hindu widows. Koirala and Shah have depicted miserable widowhood in the Nepali Hindu society. Although sati tradition has been abolished and remarriage of widows are encouraged in the present time, widows are psychologically shattered because of Hindu socio-cultural viewpoints on them, and Hindu widows still sacrifice their lives through psychological sati in Nepali society. The analysis of widowhood in the stories contributes to understanding the condition of widows in Hindu society.
柯伊拉腊和沙阿短篇小说中的印度寡妇主题探析
尼泊尔印度教寡妇在社会、文化和宗教活动中受到歧视,影响了寡妇的心理。人们使寡妇衰弱,认为她们脆弱和没有安全感。本文从新批评的角度探讨了b.p.柯伊拉腊的《到低地去》和普雷姆·沙阿的《一个丈夫》对尼泊尔印度教寡妇状况的描绘。本文从一个新的批评家的角度分析了选集中描绘的印度寡妇生活中的冲突、紧张、象征和意义。本研究采用探索性质的方法。柯伊拉腊描绘了一个印度教寡妇,她因为受到姐夫的虐待和姻亲的折磨而离开了家。为了幸福的生活,她和戈尔等四个男人搬到了平原(塔莱)。但是戈尔不顾寡妇的求婚偷走了她的金子和钱。沙阿描绘了一个寡妇尼尔马拉,她被一名司机和她姐姐可能的丈夫戏弄和虐待。她想化妆,但她和她的哥哥、姐姐和母亲一起感到害怕,因为印度教寡妇受到限制。柯伊拉腊和沙阿描绘了尼泊尔印度教社会中悲惨的寡妇生活。虽然目前萨提传统已被废除,鼓励寡妇再婚,但由于印度教社会文化对寡妇的看法,寡妇在心理上受到了打击,在尼泊尔社会中,印度寡妇仍然通过心理萨提牺牲自己的生命。对故事中寡妇的分析有助于理解印度社会中寡妇的状况。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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