‘The Dumb Cunt’s Tale’: Desire, Shame and Self-Narration in Contemporary Autofiction

K. Mitchell
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Abstract

Chapter 3 develops arguments from earlier in Writing Shame around the inextricability of femininity and shame, the non-redemptive literary treatment of shame, the formal disruptions produced in the writing of shame, and the ways in which shame seeps into the contexts and processes of writing, reading and critical reception. It does this via readings of three contemporary, female-authored autofictions with a central focus on (female, heterosexual) desire and with a leaning towards literary experiment: Chris Kraus’s I Love Dick (1997), Marie Calloway’s what purpose did i serve in your life (2013) and Katherine Angel’s Unmastered (2012). All three texts are discussed as performing and reflecting on acts of self-exposure and states of vulnerability – while also, sometimes, turning that humiliation outwards. All three are read also as complicating the confessional mode via their generic mixing of fiction, memoir, essay and theory. More broadly, the chapter asks what the relationship might be between self-abasement and self-advertisement, and how these texts might work to reveal the structural – not merely personal – nature of shame, as far as women are concerned.
“蠢女人的故事”:当代自传体小说中的欲望、羞耻与自我叙述
第三章发展了《写作羞耻》早期的论点,围绕女性气质和羞耻的不可分割性,对羞耻的非救赎性文学处理,羞耻写作中产生的形式中断,以及羞耻渗透到写作,阅读和批评接受的背景和过程中的方式。为了做到这一点,我们阅读了三本当代女性创作的自述小说,它们主要关注(女性、异性恋)欲望,并倾向于文学实验:克里斯·克劳斯的《我爱迪克》(1997)、玛丽·卡洛维的《我在你的生活中起到了什么作用》(2013)和凯瑟琳·安吉尔的《未掌握》(2012)。这三篇文章都是作为表演和反思自我暴露的行为和脆弱的状态来讨论的,同时,有时,把羞辱向外转移。通过小说、回忆录、散文和理论的混合,这三本书也被解读为使自白模式复杂化。更广泛地说,这一章探讨了自卑和自我宣传之间的关系,以及这些文本如何揭示羞耻的结构性——而不仅仅是个人的——本质,就女性而言。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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