Introduction: Russian Formalism, 1915-1930

Carol Any
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Abstract

Russian Formalism was an active movement in literary criticism for only fifteen years, but has provoked a continuous flow of scholarship both in the Soviet Union and abroad since its earliest days.1 Discussion of this critical movement is still going on today. In the most recent book-length study of Russian Formalism, Peter Steiner noted that the designation "Formalist" can refer to works by various individuals and groups whose ideas on literature are widely divergent and sometimes irreconcilable.2 Broadly speaking, the Russian Formalists were students of literature or linguistics who were united by their interest in the difference between poetic language and ordinary speech. Their primary concern was with "literariness," that is, with what makes a text a work of art. They insisted that one could neither paraphrase an artistic work nor extract from it a basic message, since literary form was an indispensable part of that message. Similarly, they saw literary scholarship as a distinct, self-sufficient disc...
导论:俄国形式主义,1915-1930
俄国形式主义在文学批评中是一个活跃的运动,只有15年的时间,但从一开始就在苏联和国外引发了不断的学术流动关于这一批判运动的讨论至今仍在继续。在最近对俄罗斯形式主义的长篇研究中,彼得·施泰纳指出,“形式主义”一词可以指各种个人和团体的作品,他们对文学的看法大相径庭,有时甚至是不可调和的一般来说,俄国形式主义者都是文学或语言学的学生,他们都对诗歌语言和普通语言的区别感兴趣。他们主要关心的是“文学性”,也就是说,是什么让文本成为艺术作品。他们坚持认为,人们既不能改写艺术作品,也不能从中提取基本信息,因为文学形式是该信息不可或缺的一部分。同样,他们把文学学术视为一个独特的、自给自足的圆盘……
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