Peace and Wilderness

M. Papastephanou
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Abstract

ost postmodern philosophy tends to set peace discourse aside. The present paper takes issue with this tendency and explores some reasons for such a neglect of rethinking peace. Relying on a longer work,1 the paper exclusively focuses on one aspect of wilderness and peace that may be indicated with the metaphorization of peace as homeless. Thus, the paper presupposes the ground that the longer work has covered. Such ground comprised mappings of some of the multiple political operations of the ‘metaphoricity’ of wilderness. It also comprised illustrations of how such metaphoricity heightens our awareness of the world of today: a world where peace is absent and various excuses and alibis for this absence play a pacifying role. Contemporary reality was there sketched as a constructed wilderness, unsuitable and unlikely qua peace’s dwelling place. The figurative substratum of that critique was formed through brief references to Aristophanes’ comedy Peace. This paper condenses the main thesis of the longer essay, which can be summed up as follows: the naturalization and normalization of the homelessness of peace that may be extrapolated from some postmodern discourses should be interrogated. Some discourses within the broad designation ‘postmodern’ make room for viewing the lack of abode as ontologically more appropriate for peace. Thought through, such discourses imply that all search for a home for peace amounts to seeking a stable, conflict-free and orderly world and ostensibly reflects a by now obsolete metaphysics of presence. Granted, these discourses offer us the opportunity to realize the need for a nuanced notion of conflict. And they show us the inescapability and significance of some conflicts for life – an issue neglected in a modernity obsessed with order. But,
和平与荒野
大多数后现代哲学倾向于把和平话语放在一边。本文对这种倾向提出了质疑,并探讨了这种忽视重新思考和平的一些原因。依托于一个较长的作品,本文专门关注荒野与和平的一个方面,这可以用和平作为无家可归的隐喻来表示。因此,本文预设了较长时间的工作所涵盖的基础。这样的基础包含了荒野的“隐喻性”的一些多重政治操作的映射。它还包括插图,说明这种隐喻如何提高我们对当今世界的认识:一个缺乏和平的世界,这种缺乏的各种借口和借口发挥了安抚作用。在那里,当代的现实被描绘成一个人造的荒野,不适合也不可能成为和平的居所。这一批判的比喻基础是通过对阿里斯托芬的喜剧《和平》的简短引用而形成的。本文对长文的主要论点进行了概括,总结如下:从一些后现代话语中可以推断出的和平无家可归的归化和正常化应该受到质疑。在广义的“后现代”术语中,一些话语为将住所的缺乏视为更适合和平的本体论提供了空间。经过深思熟虑,这样的话语暗示着所有对和平家园的寻找都等于寻求一个稳定、没有冲突和有序的世界,表面上反映了一种现在已经过时的存在形而上学。诚然,这些论述为我们提供了一个机会,让我们认识到需要一个微妙的冲突概念。他们向我们展示了生活中一些冲突的不可避免性和重要性——这是一个在痴迷于秩序的现代性中被忽视的问题。但是,
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