Comparing the Rhythm of Instrumental Music and Vocal Music in Mandarin and English

Lujia Yang, Hongwei Ding
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引用次数: 2

Abstract

This paper reports a study comparing the rhythm of instrumental music and vocal music in both the tonal language Mandarin Chinese and the non-tonal language British English. The widely accepted normalized pairwise variability index (nPVI) was adopted to measure the rhythm of language and music in these two cultures. Current findings validate that instrumental music in both cultures reflects the rhythmic characteristics of their corresponding languages. The rhythmic contrast of Chinese instrumental music is much lower than that of the British instrumental music. When language becomes part of the music, however, the rhythmic contrasts in Chinese vocal music is unexpectedly more variable than that in the British vocal music. Nevertheless, despite the high rhythmic contrasts in Chinese vocal music, the prominently lower rhythmic contrasts in Chinese children's songs compared to Chinese folk songs confirms the universality of the increased regularity in the rhythm of children’s songs, which demonstrates the impact of language habit on music rhythm.
国语与英文器乐与声乐节奏之比较
本文报道了一项比较有调性语言普通话和无调性语言英式英语中器乐和声乐节奏的研究。采用被广泛接受的标准化两两变异性指数(nPVI)来衡量这两种文化的语言和音乐节奏。目前的研究结果证实,两种文化中的器乐都反映了其相应语言的节奏特征。中国器乐的节奏对比远低于英国器乐。然而,当语言成为音乐的一部分时,中国声乐的节奏对比却出乎意料地比英国声乐更加多变。然而,尽管中国声乐具有较高的节奏反差,但与中国民歌相比,中国儿歌的节奏反差明显较低,这证实了儿歌节奏规律性增强的普遍性,这表明语言习惯对音乐节奏的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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