Badland beach: The Australian beach as a site of cultural remembering

E. Ellison
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引用次数: 6

Abstract

The image of the Australian beach as a place of beautiful waves and sand is popular on postcards and seen frequently in tourism campaigns around the world. And yet, the beach is a surprisingly complex spatial location. Despite its beauty, the beach can have a disturbing underbelly of crime and danger. The ongoing tension between its role as a cultural icon of myth as well as an ordinary, lived location makes it a layered landscape. This article uses the framework of Ross Gibson’s ‘badland’ as a way of interrogating cultural memory in a lived, familiar space. By examining a combination of popular and literary texts such as fiction by Robert Drewe and the reality television show Bondi Rescue (2006–), as well as real life events, this article examines how the Australian beach can be a site of complex memory, and how this memory bleeds through and problematizes contemporary understandings and representations of the space.
荒地海滩:澳大利亚海滩作为文化记忆的场所
澳大利亚海滩是一个美丽的海浪和沙滩的地方,这一形象在明信片上很受欢迎,在世界各地的旅游活动中也经常出现。然而,海滩是一个令人惊讶的复杂空间位置。尽管海滩很美,但它也有令人不安的犯罪和危险隐患。它作为神话的文化象征和一个普通的生活场所之间的紧张关系使它成为一个分层的景观。本文以罗斯·吉布森的《恶土》为框架,在一个活生生的、熟悉的空间里拷问文化记忆。通过考察流行文学文本的结合,如罗伯特·德鲁的小说和电视真人秀《邦迪营救》(2006 -),以及现实生活中的事件,本文探讨了澳大利亚海滩如何成为一个复杂记忆的场所,以及这种记忆如何渗透并质疑当代对空间的理解和表现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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