{"title":"Memes from confinement","authors":"David Divita","doi":"10.1075/lcs.22003.div","DOIUrl":null,"url":null,"abstract":"\n Memes have been described as textual forms of “(post)modern folklore” (Shifman, 2014: 5). Photos or short videos, they highlight current cultural phenomena, and they spread exponentially\n through person-to-person sharing on social media platforms. For this article, I created a corpus of memes that circulated in March\n 2020, during the first weeks after statewide lockdown orders were issued in the U.S. in response to the COVID-19 pandemic. Drawing\n on Bakthin’s (1981) concept of the chronotope, I analyze a subset of these memes that\n specifically addressed the experience of time in confinement, illuminating two interrelated trends: the disruption of temporal\n order in the present and the projection of chronotopes of hindsight in which this present gets resolved as past. Through detailed\n textual analysis, I show that the memes reveal both a widespread sense of disorientation and a corollary impulse to mitigate it\n through the imagination of spatiotemporal realms. I argue that such chronotopic projections can serve as a response to temporary\n but profound uncertainty, caused in this case by the public health crisis in its initial stages.","PeriodicalId":252896,"journal":{"name":"Language, Culture and Society","volume":"148 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-11-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Language, Culture and Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1075/lcs.22003.div","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Memes have been described as textual forms of “(post)modern folklore” (Shifman, 2014: 5). Photos or short videos, they highlight current cultural phenomena, and they spread exponentially
through person-to-person sharing on social media platforms. For this article, I created a corpus of memes that circulated in March
2020, during the first weeks after statewide lockdown orders were issued in the U.S. in response to the COVID-19 pandemic. Drawing
on Bakthin’s (1981) concept of the chronotope, I analyze a subset of these memes that
specifically addressed the experience of time in confinement, illuminating two interrelated trends: the disruption of temporal
order in the present and the projection of chronotopes of hindsight in which this present gets resolved as past. Through detailed
textual analysis, I show that the memes reveal both a widespread sense of disorientation and a corollary impulse to mitigate it
through the imagination of spatiotemporal realms. I argue that such chronotopic projections can serve as a response to temporary
but profound uncertainty, caused in this case by the public health crisis in its initial stages.