Characteristics of collaboration and artification in the fashion of Issey Miyake

M. Oh, Youn-hee Lee
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Abstract

교수 * Abstract The purpose of this study is to analyze the collaboration and artification of the Issey Miyake fashion brand and to suggest the best course of artification that can secure the brand’s value. The research methods are as follows: i) identifying the companies’ strategy and flow through collaboration concepts and examples from Issey Miyake; ii) selecting Issey Miyake fashion brands and carrying out a literature review through websites, articles, and books; and iii) examining prior studies on the relationship between fashion and art. Results are as follows. The exhibition is divided into spaces for brand intangible assets, artistic collaboration with partners, art co-creation, and the aesthetics and tradition of the brand. Using exhibitions to share the artistic work of collaboration partners is expected to positively affect the brand’s likability. The exhibit shares art collaborations in display cases for clothes and photographs. Artists and brands appear as an extension of the creative space and convergence design area. The artist’s improvisation forms the creative space that communicates with the audience, and the convergence design area is expanded through the unifying organic connection between the various media in the fashion brand. The photographers and brands section displays the nature images of Pleats Please, as well as human and prism garment images. In these images, the viewer can perceive a story in the interplay between the human body
三宅一生时装中的协作与造作特征
[摘要]本研究旨在分析三宅一生(Issey Miyake)时装品牌的合作与人为,并提出能够确保品牌价值的最佳人为过程。研究方法如下:i)通过Issey Miyake的协作概念和例子来识别公司的战略和流程;ii)选择Issey Miyake时尚品牌,并通过网站、文章、书籍进行文献综述;iii)考察之前关于时尚与艺术关系的研究。结果如下:展览分为品牌无形资产空间、与合作伙伴的艺术合作空间、艺术共同创作空间、品牌美学与传统空间。利用展览来分享合作伙伴的艺术作品,有望对品牌的受欢迎程度产生积极影响。该展览在服装和照片陈列柜中分享了艺术合作。艺术家和品牌作为创意空间的延伸和融合设计领域出现。艺术家的即兴创作形成了与观众交流的创意空间,通过时尚品牌中各种媒介之间的统一有机联系,扩大了融合设计区域。摄影师和品牌部分展示了Pleats Please的自然图像,以及人体和棱镜服装图像。在这些图像中,观众可以在人体之间的相互作用中感知一个故事
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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