Bali 1928 Music Recordings and 1930s Films

Edward Herbst
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Abstract

Bali 1928 is a restoration and repatriation project involving the first published recordings of music in Bali and related film footage and photographs from the 1930s, and a collaboration with Indonesians in all facets of vision, planning, and implementation. Dialogic research among centenarian and younger performers, composers and indigenous scholars has repatriated their knowledge and memories, rekindled by long-lost aural and visual resources. The project has published a series of five CD and DVD volumes in Indonesia by STIKOM Bali and CDs in the United States by Arbiter Records, with dissemination through emerging media and the Internet, and grass-roots repatriation to the genealogical and cultural descendants of the 1928 and 1930s artists and organizations. Extensive research has overcome anonymity, so common with archival materials, which deprives descendants of their unique identities, local epistemologies, and techniques, marginalizing and homogenizing a diverse heritage so that entrenched hegemonies prevail and dominate discourse, authority, and power.
巴厘岛1928年的音乐唱片和30年代的电影
巴厘岛1928是一个修复和遣返项目,涉及从20世纪30年代开始在巴厘岛首次出版的音乐录音和相关的电影片段和照片,并在愿景,规划和实施的各个方面与印度尼西亚人合作。百岁老人和较年轻的表演者、作曲家和土著学者之间的对话研究使他们的知识和记忆得以回归,失传已久的听觉和视觉资源重新点燃了他们的记忆。该项目已在印度尼西亚出版了由巴厘岛音乐研究所出版的一系列五册CD和DVD,在美国出版了由仲裁者唱片公司出版的CD,通过新兴媒体和互联网传播,并在基层向1928年和1930年代艺术家和组织的家谱和文化后裔进行遣返。广泛的研究已经克服了档案材料中常见的匿名性,这种匿名性剥夺了后代独特的身份、地方认识论和技术,使多样化的遗产边缘化和同质化,从而使根深蒂固的霸权占上风,主宰了话语、权威和权力。
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