DRAW: Deep Networks for Recognizing Styles of Artists Who Illustrate Children's Books

Samet Hicsonmez, Nermin Samet, Fadime Sener, P. D. Sahin
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引用次数: 13

Abstract

This paper is motivated from a young boy's capability to recognize an illustrator's style in a totally different context. In the book "We are All Born Free" [1], composed of selected rights from the Universal Declaration of Human Rights interpreted by different illustrators, the boy was surprised to see a picture similar to the ones in the "Winnie the Witch" series drawn by Korky Paul (Figure [1]). The style was noticeable in other characters of the same illustrator in different books as well. The capability of a child to easily spot the style was shown to be valid for other illustrators such as Axel Scheffler and Debi Gliori. The boy's enthusiasm let us to start the journey to explore the capabilities of machines to recognize the style of illustrators. We collected pages from children's books to construct a new illustrations dataset consisting of about 6500 pages from 24 artists. We exploited deep networks for categorizing illustrators and with around 94% classification performance our method over-performed the traditional methods by more than 10%. Going beyond categorization we explored transferring style. The classification performance on the transferred images has shown the ability of our system to capture the style. Furthermore, we discovered representative illustrations and discriminative stylistic elements.
DRAW:识别儿童书籍插图艺术家风格的深度网络
这篇论文的灵感来自于一个小男孩在完全不同的背景下识别插画家风格的能力。《我们都是生而自由的》(We are All Born Free)这本书是由不同的插画家从《世界人权宣言》中选出的权利组成的。在这本书中,男孩惊讶地看到了一幅与科尔基·保罗(Korky Paul)绘制的《女巫温妮》(Winnie the Witch)系列中相似的图片(图[1])。这种风格在同一插画家在不同的书中的其他人物身上也很明显。对于其他插画家,比如阿克塞尔·舍弗勒和黛比·格里奥里来说,孩子们很容易识别风格的能力是有效的。男孩的热情让我们开始了探索机器识别插画家风格的能力的旅程。我们从儿童书籍中收集页面来构建一个新的插图数据集,该数据集由来自24位艺术家的约6500页组成。我们利用深度网络对插图画家进行分类,我们的方法在94%左右的分类性能上比传统方法高出10%以上。在分类之外,我们探索了风格的转移。对传输图像的分类性能表明了我们的系统能够捕获风格。此外,我们还发现了具有代表性的插图和判别性的风格元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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