Między krytycznym teatrem politycznym a teatrem dokumentalnym. Uwagi o spektaklu "Białoruś obrażona"

Jadwiga Gracla
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Abstract

The author refers to the play Insulted Belarus, staged at the Municipal Theater in Gliwice. The drama, which is the basis for the performance of Andrey Kureichik, is a story about the contemporary situation in Belarus, elections, persecution, and dictatorship. In a subtle and sophisticated way, he shows two narratives: those desiring freedom and the dictator. It uses the experience of political theater and modern multimedia techniques. According to the author, the artistic coherence is broken by the last scene – a direct account of the events. However, in the ideological plan, it is the most important and strongest message. The story of people who yearn for freedom.
作者指的是在格列维采市剧院上演的戏剧《侮辱白俄罗斯》。这部话剧是Andrey Kureichik演出的基础,讲述了白俄罗斯当代的情况,选举、迫害和独裁。他以一种微妙而复杂的方式展示了两种叙事:渴望自由的人和独裁者。它运用了政治戏剧的经验和现代多媒体技术。在作者看来,艺术上的连贯性被最后一幕——对事件的直接叙述——打破了。然而,在意识形态计划中,这是最重要和最强烈的信息。渴望自由的人们的故事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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