Larry Ceballos as Busby Berkeley: The Credit Dispute in Footlight Parade and the Branding of "Buzz"

M. Larocco
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引用次数: 1

Abstract

ABSTRACT:Unbeknown to most Busby Berkeley scholars, two dance numbers in one of his most popular films, Footlight Parade (1933), were ghost-directed by fellow choreographer Larry Ceballos, who received no credit on the screen despite contractual obligations to the contrary. I suggest that the omission of Ceballos's name from the film was the result of Warner Bros.' attempts to solidify Berkeley's marketing utility as a behind-the-scenes star. The miscredit in Footlight Parade underscores the precarious, faceless nature of offscreen labor in the studio era and the industrial mechanisms beyond filmic text that contribute to the construction of an auteur persona.
拉里·塞巴洛斯《巴斯比·伯克利》:《Footlight Parade》中的信用纠纷与“Buzz”的品牌化
摘要:巴斯比·伯克利的研究人员大都不知道,在巴斯比·伯克利最受欢迎的电影之一《脚光游行》(1933)中,有两个舞蹈片段是由另一位编舞家拉里·塞巴洛斯(Larry Ceballos)幽灵执导的,尽管合同上有相反的义务,但他并没有在银幕上获得任何荣誉。我认为,电影中没有塞巴略斯的名字,是华纳兄弟试图巩固伯克利作为幕后明星的营销效用的结果。《脚光大游行》中的失误凸显了电影制片厂时代幕后劳动的不稳定、无面性,以及电影文本之外的工业机制,这些机制有助于构建导演的角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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