The Rhetoric of Serials at the Present Time

Eyal Amiran
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引用次数: 3

Abstract

The rhetoric of serials promotes invisibility, timelessness, and order, and prevents us from being able to think what we might want from serial publications, or whether we want serials at all. Serial rhetoric makes us cling to our ideas of what serials publishing should be and think of any publishing in terms of traditional print paradigms. These limitations corroborate, on the one hand, a fin-de-siecle rhetoric associated with electronic text (discussed in the essay), and tie in on the other with the publishing world's attempts to think of new ventures in term of established practices. Postmodern Culture has offered new models for pricing serials which attempt to rethink what we want from published work. These have not met with success partly because of another rhetoric, that of experimental media. This rhetoric is in some ways like the rhetoric of serials, so that when the two combine they doubly screen us from our alternatives. This essay explicates the paradigms that govern our perception of serials a...
当代连续剧修辞学
连载小说的修辞促进了不可见性、永恒性和秩序,并阻止我们思考我们可能想从连载出版物中得到什么,或者我们是否想要连载小说。连篇修辞使我们固守我们对连篇出版应该是什么的想法,并根据传统的印刷范式来思考任何出版。这些限制一方面证实了与电子文本相关的世纪末修辞(在文章中讨论过),另一方面与出版界试图在既定实践的基础上思考新的冒险联系在一起。后现代文化为丛书定价提供了新的模式,这些模式试图重新思考我们想从出版作品中得到什么。这些措施没有取得成功,部分原因在于另一种说辞,即实验性媒体。这种修辞在某种程度上类似于连续剧的修辞,所以当两者结合在一起时,它们双重地屏蔽了我们的选择。这篇文章阐述了控制我们对连续剧的感知的范式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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