PROBLEM IDENTITETA NACIONALNE KNjIŽEVNOSTI U MEĐUNARODNOM KONTEKSTU

Nenad Nikolić
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Abstract

The paper analyses the global tendency of conceptualizing transnational and regional literature in order to suppress national literatures at first, and then to completely replace them. The analysis is based on History of the Literary Cultures of East-Central Europe: Junctures and disjunctures in the 19th and 20th centuries (Eds. M. Cornis-Pope and J. Neubauer, Vol. I 2004, Vol. II 2006, Vol. III 2007, Vol. IV 2010). The tendency to replace national literatures with the transnational one is depicted within the framework of broader cultural, social, and political circumstances. Based on the ideology of “Western liberalism, global capitalism, and George Soros” – which was stated as the core idea of the History of the Literary Cultures of East-Central Europe by its editors – this tendency leads to a general weakening of traditional identities framework: from personal to national identity. Therefore, the suppression of national literature is simultaneous with the suppression of nationality in general, and with changing the notion of literature as it existed in the age of national states since that notion was correspondent with the personal identity which also undergoes through changes.
本文分析了跨国和地域文学概念化的全球趋势,其目的是首先压制民族文学,然后完全取代它们。这一分析是基于《中东欧文学文化史:19世纪和20世纪的转折和断裂》。M. Cornis-Pope和J. Neubauer, 2004年第一卷,2006年第二卷,2007年第三卷,2010年第四卷)。在更广泛的文化、社会和政治环境的框架内描述了用跨国文学取代国家文学的趋势。基于“西方自由主义、全球资本主义和乔治·索罗斯”的意识形态——这是《中东欧文学文化史》编者所陈述的核心思想——这一趋势导致了传统身份认同框架的普遍弱化:从个人身份到国家身份。因此,对民族文学的压制是与对一般民族性的压制同时进行的,与改变民族国家时代存在的文学观念同时进行的,因为这种观念与同样经历变化的个人身份是相对应的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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